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Cover of Video Game Streaming Trends Report: 2021 Yearly Report
Report28 pages

Video Game Streaming Trends Report: 2021 Yearly Report

The report establishes that video-game streaming has solidified its position as a core element of global pop culture, with 21% year-over-year growth in watch time during 2021—an increase that, while lower than the 81% surge seen in 2020, still reflects a substantial expansion of audiences worldwide.

  • Video game streaming grew 21% in 2021, with Twitch leading the market at 6 billion hours watched and a 31.4% year-over-year increase.
  • Facebook Gaming experienced significant momentum with a 59% year-over-year rise, while YouTube Gaming saw a 15% decline in live-stream hours despite growth in its VOD ecosystem.
  • Mobile titles including Garena Free Fire, PUBG Mobile, and Valorant accounted for 32% of total viewership, totaling over 5.6 billion hours watched.
Stream HatchetJan 2021
Cover of Creature in the Well with Bohdon Sayre | Game Dev Unchained Episode 205
61 min
Game Dev Unchained61 min

Creature in the Well with Bohdon Sayre | Game Dev Unchained Episode 205

The development of Creature in the Well demonstrates the efficacy of a lean, two-person core team operating within a disciplined 18-month production cycle.

  • A lean, two-person core team successfully developed Creature in the Well by adhering to a disciplined 18-month production cycle.
  • The developers utilized iterative prototyping and strict scoping to synthesize a unique pinball-inspired hack-and-slash mechanic.
  • External partnerships for marketing and porting allowed the small team to maintain production focus while securing visibility on platforms like Nintendo’s Indie World.
Game Dev UnchainedSep 2019
Cover of AskGM #3: Can Splatoon + Brawl Stars = Mega Hit? | Action.Reaction Studio Indie Game Development
56 min
GameMakers56 min

AskGM #3: Can Splatoon + Brawl Stars = Mega Hit? | Action.Reaction Studio Indie Game Development

The development of a 3v3 mobile multiplayer title blending Brawl Stars-style combat with Splatoon-inspired territory control mechanics represents a high-stakes entry into the competitive PvP market.

  • A four-person studio achieved a 40% Day-1 retention rate in beta testing across Finland, the UK, and Canada by blending Brawl Stars-style combat with Splatoon-inspired territory control.
  • Independent teams should prioritize a single North Star metric, such as Day-7 retention, to guide feature development and prevent scope creep.
  • The ICE (Impact, Confidence, and Ease) framework is essential for evaluating feature additions against limited development resources to ensure high-value outcomes.
GameMakersJun 2019
Cover of Capcom Consolidated Financial Results for the 9 Months of the Fiscal Year Ending March 31, 2019
Financial report13 pages

Capcom Consolidated Financial Results for the 9 Months of the Fiscal Year Ending March 31, 2019

Capcom’s consolidated financial results for the nine-month period ending December 31, 2018, demonstrate significant growth driven primarily by the strong performance of its Digital Contents segment.

  • Capcom reported significant growth for the nine months ending December 31, 2018, with net sales rising 28.3% to 61,270 million yen and net income increasing 106.8% to 9,180 million yen.
  • The Digital Contents segment drove performance with 47,855 million yen in sales, bolstered by Monster Hunter: World exceeding 10 million units shipped and the release of Mega Man 11.
  • Operating income surged 92.0% to 13,461 million yen, largely due to the high-margin success of digital titles and global branding initiatives.
CapcomFeb 2019
Cover of Games You Might Not Have Tried - ep 15 - September 2018 Edition - Extra Credits
9 min
Extra Credits9 min

Games You Might Not Have Tried - ep 15 - September 2018 Edition - Extra Credits

The September 2018 edition of the series Games You Might Not Have Tried focuses on highlighting unique, quirky, or mechanically interesting titles that offer value to players and designers alike.

  • The Painscreek Killings demonstrates that effective murder mystery design relies on genuine player deduction rather than relying on guided quest markers.
  • Yoku’s Island Express serves as a successful case study for blending disparate genres by integrating pinball mechanics into a Metroidvania-style progression system.
  • 20XX illustrates how roguelike elements can be effectively applied to established action-platformer formulas like Mega Man to create new gameplay loops.
Extra CreditsSep 2018
Cover of 3 User Acquisition Mega Trends for 2016
19 min
PocketGamer.biz19 min

3 User Acquisition Mega Trends for 2016

The mobile gaming industry in 2016 is defined by a shift toward video-centric advertising, the consolidation of walled gardens, and the professionalization of user acquisition (UA) strategies.

  • Video advertising is the dominant growth format, projected to capture nearly 50% of all mobile ad spend by 2018.
  • The user acquisition landscape is bifurcating, as high costs for advanced analytics and attribution tools create significant barriers for mid-market developers.
  • Walled-garden platforms are increasingly controlling both inventory and measurement, forcing developers to rely on their deterministic tracking capabilities to avoid inefficient spending.
PocketGamer.bizApr 2016
Cover of GDC 2014: Bo Daly, CEO, Super Evil Mega Corp
2 min
PocketGamer.biz2 min

GDC 2014: Bo Daly, CEO, Super Evil Mega Corp

Free-to-play business models remain a central, albeit polarizing, subject within the gaming industry.

  • Free-to-play business models are shifting from mobile-exclusive to the console space, signaling a move toward more sustainable, service-based monetization.
  • The gaming industry is actively converging high-fidelity console development standards with the maturation of mobile hardware to create more immersive portable experiences.
  • Developers are increasingly prioritizing long-term engagement models that bridge the gap between hardcore console-style gameplay and accessible mobile platforms.
PocketGamer.bizMar 2014
Cover of Company Profile: May 2005
Presentation43 pages

Company Profile: May 2005

Capcom concluded the fiscal year ending March 31, 2005, with robust financial results, reporting net sales of 65.8 billion yen and an operating income of 7.7 billion yen.

  • Capcom reported fiscal year 2005 net sales of 65.8 billion yen and an operating income of 7.7 billion yen, driven by Resident Evil 4, Mega Man, and the pachislo LCD business.
  • The company projects net sales of 70 billion yen for the 2006 fiscal year, despite acknowledging volatility in the hit-driven home console market.
  • Capcom is targeting a global sales distribution ratio of 2:5:3 across Japan, North America, and Europe to mitigate the maturity of the domestic Japanese market.
CapcomMay 2005
Cover of Capcom Business Divisional Strategies and Projections: Year Ending March 31, 2008
Financial report35 pages

Capcom Business Divisional Strategies and Projections: Year Ending March 31, 2008

The business strategy for the fiscal year ending March 31, 2008, focuses on leveraging core intellectual properties across multiple platforms and business segments to ensure sustainable growth.

  • Capcom projects net sales of 78 billion yen and an operating income of 10 billion yen for the fiscal year ending March 31, 2008.
  • The company is shifting toward a diversified business model that integrates home video games with arcade operations, mobile content, and pachinko/pachislo to maximize the value of franchises like Resident Evil, Mega Man, and Monster Hunter.
  • To offset a projected revenue decline in the home video game segment caused by a lighter release schedule, Capcom is prioritizing growth in arcade operations and content expansion.
Capcom
Cover of Games Lift: Bagpack Games keep moving
Article

Games Lift: Bagpack Games keep moving

Bagpack Games, a Hamburg-based studio, is currently utilizing the Games Lift Incubator to refine their latest cooperative adventure project, We the Valarii.

  • Hamburg-based Bagpack Games is currently developing a cooperative adventure title titled 'We the Valarii' through the Games Lift Incubator.
  • The studio is pivoting its design philosophy from speed-based gameplay to a puzzle-oriented loop featuring a unique thumbstick and mouse-rotation movement mechanic.
  • Founders Thomas Hedden and Markus Albert previously achieved industry recognition for their project 'Out of Place,' which secured an Epic Mega Grant and a German Developer Award.
Gamecity Hamburg