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FY 2021/22 Annual Sales: A Transition Year

Nacon reported FY 2021/22 sales of €155.9 million, a 12.3 % decline from the previous year’s €177.8 million. The drop was driven mainly by a 25.6 % fall in fourth‑quarter sales to €31.7 million, largely due to postponed game releases such as *Vampire: The Masquerade® – Swansong*. Game sales for the year fell 21.2 % to €54.4 million, while accessories declined 6.3 % to €96.6 million; mobile and audio sales also contracted by 13.7 %. The back‑catalogue segment performed modestly better, up 12.7 % to €6.9 million. Quarterly performance showed a sharp decline in Q1 (€33.7 M) and Q2 (€39.3 M), a modest rebound in Q3 (€51.2 M, +5.2 %), and a significant drop in Q4 (€31.7 M). The company’s operating income for the year is projected between €17 million and €19 million, reflecting the weaker Q4 results. Looking ahead to FY 2022/23, Nacon anticipates a strong rebound driven by a robust game pipeline—including titles such as *Vampire: The Masquerade® – Swansong*, *Zorro The Chronicles*, and *Tour de France 2022*—and expects sales between €250 million and €300 million with an operating margin above 20 %. The strategy includes further external growth through acquisitions of Midgar Studio and Daedalic Entertainment to enhance internal development capabilities. The figures cover global operations across 20 subsidiaries, with a workforce of over 700 employees and distribution in more than 100 countries. The data are presented under IFRS, with non‑audited figures for the fourth quarter and a note that mobile and audio sales are included in the “Others” category.

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Nacon

Report

2021-22 Annual Sales: Audited Consolidated Results

Nacon’s audited consolidated results for the fiscal year ending 31 March 2022 show sales of €155.9 million, a decline of 12.3 % from the previous year’s €177.8 million, driven largely by a 21.1 % drop in the Games segment after postponing several releases to FY 2022‑23. The Accessories segment, however, remained resilient amid global console shortages, recording €96.6 million in sales (down 6.3 %) and contributing a higher proportion of revenue (62 % versus 58 % previously). Gross margin fell to €77.8 million (49.9 % of sales) from €93.5 million (52.6 %) due to the altered product mix, though price increases offset rising shipping and raw‑material costs. EBITDA contracted 26 % to €44.6 million (28.6 % of sales), and current operating income dropped 41.6 % to €19.0 million (12.2 % of sales). Net profit fell 45.3 % to €10.0 million (6.4 % of sales). The balance sheet reflects significant investment activity: shareholders’ equity rose to €228.4 million, new bank debt of €52.5 million was issued at sub‑1 % interest, and net debt remained low at €10.4 million. Working capital increased by €8.7 million due to higher inventories, while operating cash flow reached €32.4 million and intangible CAPEX totaled €57.4 million. Over the past two years, Nacon has invested over €100 million in game development and acquired nine studios, expanding its pipeline to 46 titles from 33. Management projects a sharp rebound in FY 2022‑23, targeting sales above €250 million and a current operating margin exceeding €50 million, supported by new releases such as *Vampire: The Masquerade®‑Swansong* and *The Lord of the Rings Gollum*. The company will continue external growth through studio acquisitions, notably Midgar Studio and Daedalic Entertainment.

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Nacon

Report

Strong Increase in Profitability in 1st Half: Fiscal Year 2020/21

Nacon reports a strong first‑half performance for fiscal year 2020/21, with sales rising 35.9 % to €86.6 million and gross margin improving from 39.2 % to 45.3 %. Current operating income (COI) increased by 47.3 % to €15.7 million, representing 18.2 % of sales and meeting the company’s annual COI target of 18 %. Net profit for the period reached €9.6 million, up 46.7 % from €6.5 million in the prior year’s first half, after accounting for €1.8 million in bonus‑share expenses and €0.8 million in net financial costs. Operating cash flow surged to €34.1 million, enabling the group to self‑finance €25.9 million of capital expenditure and generate an €8.2 million free cash flow. Net cash at 30 September stood at €50.7 million, up from €42.8 million in March 2020, despite a €5 million increase in CAPEX and loan repayments. The growth is attributed to momentum in gaming accessories—particularly premium headsets and official PlayStation 4 controllers—and a robust back‑catalogue of games. Nacon projects continued sales acceleration in the second half, driven by dual‑generation console support (PS 4/5, Xbox One/Xbox Series), digital sales expansion, and releases of next‑gen titles such as WRC 9 and Tennis World Tour 2. Consequently, the company has revised its FY 2020/21 sales target upward to €160–170 million and maintains an 18 % COI goal. For FY 2022/23, Nacon targets sales of €180–200 million with a COI exceeding 20 %. The data derive from audited consolidated IFRS statements covering April–September 2020, with comparative figures adjusted for the 2019 acquisition of Bigben Interactive’s gaming assets.

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Nacon

Report

Consolidated Financial Results: 3rd Quarter Fiscal Year Ending March 2023

The consolidated financial results for the third quarter of the fiscal year ending March 2023 reflect a period of mixed performance for Daicel Corporation. While the company achieved sales revenue of 404.5 billion yen, representing a 17.9% year-on-year increase, operating income declined by 6.9% to 36.6 billion yen. The growth in top-line revenue was primarily driven by strategic price revisions, cost-reduction initiatives, and favorable foreign exchange impacts. Conversely, the contraction in operating income was attributed to sluggish automobile production, weakened demand for electronic devices, and rising costs for raw materials, fuel, and logistics. The geographic and industry scope of these results spans global markets, with significant exposure to the automotive, semiconductor, and LCD panel sectors. Performance across segments varied, as the company faced headwinds from production adjustments in the LCD market and a slower-than-anticipated recovery in automotive manufacturing, exacerbated by semiconductor shortages and COVID-19-related lockdowns in China. While the Materials and Engineering Plastics segments managed to exceed internal profit plans, the Medical/Healthcare, Smart, and Safety segments fell short of expectations. To address these challenges, the company is implementing a series of corrective measures aimed at improving profitability for the remainder of the fiscal year. These actions include a rigorous review of corporate and production expenses, inventory reduction strategies, and targeted efforts to expand sales in high-demand areas, such as acetate tow and specific cosmetic ingredients. Looking forward, the company plans to provide a comprehensive revision of its mid-term management strategy in May 2023, alongside the full-year financial results, to better align its operational structure with current market realities and demand recovery timelines.

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GameVault System

Report

Zmiana daty premiery gry INDIKA: 2 maja 2024

The release date for the adventure title “INDIKA” has been officially set to 2 May 2024 for its PC version, with digital distribution planned through major global platforms such as Steam and GOG. The announcement follows a prior market communication issued on 21 March 2024, and confirms that the console releases for Xbox Series X/S and PlayStation 5 will also occur in May, though the exact dates remain unspecified. “INDIKA” is developed by Odd Meter from Kazakhstan and published by 11 bit Studios S.A., a Warsaw‑based company. The game’s narrative is set in an alternate 19th‑century Russian setting, offering a richly detailed storyline that distinguishes it within the adventure genre. Key points include the strategic timing of the launch to align with peak gaming season, the choice of digital storefronts aimed at maximizing global reach, and the partnership between a Kazakh developer and a Polish publisher. The release strategy also incorporates a philanthropic element: a portion of the sales proceeds will be directed toward supporting child victims of war in Ukraine, underscoring a corporate social responsibility initiative. The information is provided under the confidentiality clause of Article 17(1) MAR, indicating that it is intended for internal or restricted distribution. The announcement originates from the board of 11 bit Studios, with Przemysław Marszał as President and Michał Drozdowski as board member. No additional data on sales projections, market analysis, or demographic targeting is disclosed in the brief.

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11 bit studios

Report

Financial Results for the First Quarter: Fiscal Year Ending June 30, 2012

The quarterly financial briefing presents GREE, Inc.’s first‑quarter results for the fiscal year ending June 30 2012, emphasizing rapid global expansion and robust revenue growth. Net sales surged 44 % QoQ to ¥30,432 million and 145 % YoY to ¥21,093 million, driven by a 49.5 % jump in paid‑services sales and an 8.2 % rise in advertising media sales. Operating profit climbed 70 % QoQ to ¥16,646 million and 168 % YoY to ¥9,789 million, while net income rose 66 % QoQ and 156 % YoY. Consolidated financials, prepared from the third quarter of FY2011, show that new goodwill amortization and rental charges were offset by sales growth, enabling record profit levels. User metrics underscore GREE’s global reach: registered users topped 155 million worldwide, with Japan contributing 17.8 %. The company maintains a leading position in Japan’s smartphone platform, offering 659 applications of which 200 are fee‑based. Internationally, offices in North America, China, Europe, and South America support a portfolio of 7,500 worldwide smartphone applications. Monetization is expanding through diversified payment methods (carrier billing, WebMoney, BitCash) and a growing in‑house social game library. Operational highlights include the launch of a unified global platform slated for FY2012H2, integration of OpenFeint into the new API/SDK, and establishment of subsidiaries across Asia, Europe, and Latin America. The company also announced a venture‑capital arm, GREE Ventures, to invest in internet startups and acquired the parent of Kawaii Pet MEGU, adding a popular mobile title to its game portfolio. Financial forecasts for FY2012 were revised upward: net sales now target ¥130–140 billion (up 40 % from the prior estimate), operating profit ¥60–70 billion, and net income ¥33–39 billion. The revisions reflect faster monetization in Japan, conservative sales assumptions overseas, and higher operating costs due to expanded server infrastructure and staffing. The briefing concludes with a comprehensive safety and security framework, detailing content moderation, age verification, and educational outreach initiatives to safeguard users.

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GREE

Report

Summary of Main Supplementary Explanations Questions and Answers: FY2021 Fourth Quarter

The briefing clarified GREE’s strategic focus on its Metaverse platform, REALITY, and financial outlook for the coming year. The company defined the Metaverse as a digital universe where users inhabit avatars to work and play, emphasizing its rapid growth driven by technology advances and heightened online interaction during the COVID‑19 pandemic. REALITY, launched globally six months prior to the briefing, is now available in 63 countries and territories, with strong reception in North America, Southeast Asia, Central and South America, and Russia. GREE highlighted the platform’s unique ability to livestream content with virtual avatars, a feature not offered by competitors, and outlined plans for further expansion through localized events, multilingual support, and extensive promotional activities. Investment plans for REALITY are set at approximately ¥10 billion over the next two to three years, covering advertising, labor, and outsourcing costs. The company views this as a high‑potential business and aims to balance growth with cost efficiency. In its investment and incubation segment, GREE anticipates venture capital activities to provide consistent medium‑to‑long‑term income, targeting a return of at least 10 % despite short‑term volatility. For the first quarter of FY2022, GREE foresees a potential operating loss in the hundreds of millions of yen, attributed to increased development costs for new app games and upfront investments. The overall narrative positions REALITY as a central growth engine while acknowledging the financial risks associated with early‑stage expansion.

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GREE

Report

FY2020 First Quarter Financial Results

The FY2020 first‑quarter results show a solid operating performance, with net sales of ¥15.8 billion and operating income of ¥1.18 billion, surpassing the previous quarter’s loss and exceeding forecasts. EBITDA reached ¥1.29 billion, reflecting effective cost control amid a reactive decline in sales following anniversary events. Net income stood at ¥0.99 billion, up from a loss in the same period of FY2019. Revenue composition was dominated by paid services (¥12.27 billion), with ancillary sales—including advertising, customer service, licensing and VR—contributing ¥3.53 billion. Operating costs fell by ¥1.5 billion QoQ to ¥14.6 billion, driven mainly by reductions in variable costs such as commissions and advertising spend, while labor and fixed costs remained stable. Geographically, the company expanded its overseas footprint by launching “DanMachi” in 27 European countries and territories, reinforcing its global distribution strategy. The live‑entertainment arm grew the REALITY platform’s content library, adding original programs and hosting large‑scale events featuring VTubers. Game development continued with new titles in the pipeline, including partner‑distributed releases slated for FY20 and beyond. Methodologically, figures derive from consolidated financial statements, with adjustments noted for one‑off FY19 events. The report covers the Japanese market and international operations, focusing on game, live‑entertainment, advertising, and media segments. Overall, the quarter demonstrates resilient profitability, strategic expansion, and disciplined cost management, positioning the company for continued growth in a competitive digital entertainment landscape.

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GREE

Whitepaper

In-Game Ads Come Out on Top: Two-Year Study

Research conducted over a two-year period by Anzu and Lumen Research reveals that intrinsic in-game advertising significantly outperforms traditional digital advertising formats in terms of audience attention and brand recall. By utilizing eye-tracking technology and analyzing thousands of gameplay sessions across mobile and PC platforms, the study establishes that advertisements integrated directly into the gaming environment capture visual attention for longer durations than standard display or social media ads. Specifically, in-game banners and posters achieved an average of 3.1 seconds of viewing time, which is nearly double the attention span typically afforded to mobile display ads. The findings indicate a strong correlation between high attention scores and increased purchase intent, with gamers showing a 12% higher likelihood of considering a brand after seeing it within a game compared to traditional digital channels. This effectiveness is attributed to the non-disruptive nature of intrinsic ads, which appear on virtual billboards or stadium signage, allowing them to coexist with the gameplay experience rather than interrupting it. The data suggests that because players are in a state of high focus and active engagement, they process environmental brand messaging more effectively than passive consumers scrolling through social feeds. Geographically, the study covers global markets with a particular focus on North American and European gaming demographics. The methodology involved a combination of laboratory-based eye-tracking and at-home testing to ensure a diverse sample size of over 5,000 participants. Ultimately, the results conclude that the gaming environment provides a premium advertising space where brands can achieve high-impact visibility without compromising the user experience. This longitudinal analysis positions in-game advertising as a vital component for modern media mixes, offering a scalable solution for reaching attentive, hard-to-reach audiences in an increasingly fragmented digital landscape.

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Anzu

Whitepaper

XRA's Developers Guide: Fundamental Design Principles for Immersive Experiences

The foundational design principles for immersive experiences prioritize user comfort, safety, and accessibility within the rapidly evolving landscape of virtual, augmented, and mixed reality. By establishing a framework for developers, these guidelines address the unique physiological and psychological challenges inherent in spatial computing. The primary objective is to mitigate common issues such as motion sickness, eye strain, and physical fatigue, which often act as barriers to widespread adoption. Through the implementation of best practices in locomotion, field of view management, and sensory synchronization, creators can build more inclusive environments that accommodate a diverse range of human capabilities and sensitivities. Technical considerations focus heavily on maintaining high frame rates and low latency to ensure that virtual movement aligns seamlessly with the user’s vestibular system. Data suggests that even minor discrepancies between visual input and physical motion can lead to significant discomfort. Furthermore, the guidance emphasizes the importance of intuitive user interfaces and spatial audio, which enhance immersion while preventing cognitive overload. By utilizing depth cues and focal distance management, developers can reduce the risk of vergence-accommodation conflict, a leading cause of visual fatigue in head-mounted displays. The scope of these principles covers the global immersive technology sector, focusing on hardware and software interactions across gaming, enterprise, and educational segments. While the initial framework was established in 2018, its core tenets remain relevant as the industry shifts toward more sophisticated hardware. The methodology relies on a synthesis of ergonomic research, developer feedback, and cross-industry collaboration among leading technology firms. Ultimately, the findings suggest that a human-centric approach to design is essential for the long-term viability of immersive platforms, ensuring that digital spaces are as safe and navigable as the physical world.

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XR Association

Report

Current Report No. 16: Setting Release Date for Moonlighter 2: The Endless Vault

The announcement establishes the global early‑access release date for Moonlighter 2: The Endless Vault on PC as October 23, 2025. Distribution will occur through Steam and the Windows Store, while console releases for Xbox X/S and PlayStation 5 are deferred to a later date. The title is developed by Spanish studio Digital Sun, with 11 bit Studios S.A. acting as publisher. The release schedule reflects a strategic focus on the PC market, leveraging major digital storefronts to maximize initial reach. By postponing console launches, the publisher can concentrate resources on polishing the PC experience and gathering player feedback during early access. The decision aligns with industry trends where developers use early‑access periods to iterate on gameplay, balance mechanics, and build community engagement before broader platform releases. The communication is issued by the Management Board of 11 bit Studios, underscoring corporate governance and regulatory compliance. The statement cites Article 17.1 of MAR – Inside information as the legal basis, indicating that the release date is considered material information for investors. The brief does not provide additional data on sales projections, market analysis, or development milestones, focusing solely on the release timeline and distribution channels.

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11 bit studios

Report

Current Report No. 6/2025: The Alters Release Date

The release of Frostpunk 2, the highly anticipated sequel to the critically acclaimed survival‑city builder, has been officially scheduled for June 13 2025. The announcement comes from the Management Board of 11 bit studios S.A., a Warsaw‑based developer known for its narrative‑driven titles. The global launch will encompass the PC edition and next‑generation console versions for Xbox Series X/S and PlayStation 5, ensuring simultaneous availability across major platforms. Digital distribution will be handled by the industry’s leading storefronts: Steam, Epic Games Store, GOG, Xbox Store and PlayStation Store. In addition, the game will be added to Microsoft’s subscription services—PC Game Pass and Xbox Game Pass—from day one, broadening accessibility for subscribers. The release date was disclosed under Article 17.1 of the Market Abuse Regulation, classifying it as inside information that must be communicated promptly to avoid market manipulation. The announcement is concise, focusing solely on the release logistics and distribution channels. No sales projections, marketing strategies, or financial implications are provided in this communication. The scope is strictly global, covering all major digital marketplaces and subscription services at launch. Methodologically, the information originates from an official board statement, with no external data or survey references included.

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11 bit studios

Report

Harmonogram publikacji raportów okresowych: GreenX

GreenX Metals Limited has established its formal schedule for the publication of periodic financial reports for the 2026 fiscal year, spanning from July 1, 2025, to June 30, 2026. This disclosure adheres to regulatory requirements concerning the transparency of current and periodic information for publicly traded entities. The schedule ensures that stakeholders receive consistent updates on the company’s financial performance throughout the fiscal cycle, maintaining compliance with international reporting standards across the London Stock Exchange, the Australian Securities Exchange, and the Warsaw Stock Exchange. The reporting timeline includes four quarterly updates, a half-year report, and a final annual report. Quarterly reports are slated for release on October 31, 2025, January 30, 2026, April 30, 2026, and July 31, 2026. The half-year report covering the period ending December 31, 2025, is scheduled for publication on March 12, 2026, while the comprehensive annual report for the fiscal year ending June 30, 2026, is set for release on September 30, 2026. In addition to financial reporting, the company has scheduled its Annual General Meeting for November 18, 2025. A primary agenda item for this meeting involves the re-election of company directors. To facilitate this process, the deadline for submitting director nominations is set for September 30, 2025, at 5:00 PM Perth time. Further documentation regarding the meeting, including the formal notice of convocation, will be distributed to shareholders in October 2025 to ensure full transparency and participation in the governance process.

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GreenX Metals Limited

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Q1 2026 Estimated Capital Gains Distributions

Dodge & Cox has released estimated capital gains distributions for the first quarter of 2026, specifically targeting the Balanced and Stock Funds. These distributions represent realized capital gains accrued between November 1 and December 31 of the preceding year, adhering to the firm’s standard policy of distributing late-year gains in the following March. Other funds within the firm’s portfolio, including the International, Global Stock, and Emerging Markets Stock Funds, operate on a different schedule and typically issue distributions only in December. The estimated distributions for the Balanced Fund (DODBX and DOXBX) are set at $0.09 per share, representing 0.6% of the net asset value. The Stock Fund (DODGX and DOXGX) estimates a distribution of $0.16 per share, or 1.0% of the net asset value. These figures consist entirely of long-term capital gains, with no short-term gains reported for this period. The firm maintains its commitment to ongoing ordinary income distributions alongside these capital gains payouts. These estimates are based on financial data as of February 23, 2026, and remain subject to change pending final approval by the Board of Trustees. The official record date for these distributions is March 24, 2026, with the ex-dividend and reinvestment date scheduled for March 25, 2026, and the payable date set for March 26, 2026. Investors are advised that these figures are preliminary and should consult the firm’s official website in late March for final distribution amounts. As with all investment activities, these distributions are subject to market risks, and shareholders are encouraged to seek professional tax or legal counsel regarding the implications of these payments.

investment market-analysis global

Dodge & Cox

FY 2021/22 Annual Sales: A Transition Year

2021-22 Annual Sales: Audited Consolidated Results

Strong Increase in Profitability in 1st Half: Fiscal Year 2020/21

Consolidated Financial Results: 3rd Quarter Fiscal Year Ending March 2023

Zmiana daty premiery gry INDIKA: 2 maja 2024

Financial Results for the First Quarter: Fiscal Year Ending June 30, 2012

Summary of Main Supplementary Explanations Questions and Answers: FY2021 Fourth Quarter

FY2020 First Quarter Financial Results

In-Game Ads Come Out on Top: Two-Year Study

XRA's Developers Guide: Fundamental Design Principles for Immersive Experiences

Quarterly Report: 11 bit studios S.A. 2025

Current Report No. 16: Setting Release Date for Moonlighter 2: The Endless Vault

HPE Fiscal 2026 First Quarter Results

2024 Interim Report

Current Report No. 6/2025: The Alters Release Date

Harmonogram publikacji raportów okresowych: GreenX

Q1 2026 Estimated Capital Gains Distributions

2014 Annual Report

2012 Annual Report

Annual Report and Accounts 2025