Japan

GungHo Online Entertainment’s business report outlines a strategic transition from a Japan-centric mobile focus toward a diversified global entertainment model. The primary thesis centers on leveraging established intellectual properties, specifically Puzzle & Dragons and the Ragnarok series, to anchor international expansion while developing new console and PC titles for a worldwide audience.

Financial data indicates a significant shift in revenue composition, with the overseas sales ratio rising steadily to reach 64.1% by late 2024. While consolidated net sales saw a decline from 125.3 billion yen in 2023 to 103.6 billion yen in 2024, the group maintained a strong capital-to-asset ratio of 75.9%. Performance in the first half of 2025 shows net sales of 50.5 billion yen and an operating profit of 5.0 billion yen. To enhance shareholder value, the company revised its return policy in February 2025, committing to a consolidated dividend payout ratio of 30% or more and executing substantial share cancellations.

The report highlights the longevity of core titles, noting that Puzzle & Dragons celebrated its 13th anniversary with over 63 million downloads in Japan. To sustain this momentum, the group released Puzzle & Dragons 0 in May 2025 across 150 countries in 11 languages. Simultaneously, the Ragnarok IP, managed by subsidiary Gravity Co., Ltd., has grown from 5 billion yen in annual sales in 2008 to approximately 50 billion yen, driven by mobile expansions in Asia and new initiatives in Latin America.

Future growth is targeted through multi-platform development and the revitalization of existing series. Key projects include the redevelopment of the survival action title Deathverse: Let It Die and the release of the Lunar Remastered Collection. By focusing on original IPs for consoles and PC—areas where the group can demonstrate technical expertise—GungHo aims to establish brand recognition in Western markets where it was previously less known.

Evidence from a natural experiment conducted in Japan between 2020 and 2022 demonstrates that video game ownership and increased play time exert a positive causal influence on mental well-being and life satisfaction. By leveraging the unique lottery-based distribution of gaming consoles during pandemic-related supply shortages, researchers analyzed data from over 97,000 respondents to isolate the effects of gaming from self-selection bias. The findings indicate that winning a console lottery reduced psychological distress by 0.1 to 0.6 standard deviations, directly challenging traditional correlational studies that often associate gaming with negative mental health outcomes.

The magnitude of these psychological benefits varies significantly across different demographic groups and hardware platforms. Machine learning analysis reveals that the Nintendo Switch offers more pronounced well-being improvements for adolescents and female users, whereas the PlayStation 5 provides stronger positive effects for adult males and dedicated gamers. While the overall impact of gaming remains positive, the data suggests a threshold of diminishing returns, as the benefits to mental health and life satisfaction begin to decline after three hours of daily play.

The scope of this research is specifically focused on the Japanese market during the COVID-19 pandemic, a period characterized by heightened social isolation and restricted physical activity. These environmental factors may have amplified the observed positive effects, as gaming served as a primary tool for digital engagement and stress mitigation. Despite these contextual considerations, the use of instrumental variable causal forests and propensity score matching provides a rigorous statistical foundation for the conclusion that moderate video game consumption serves as an effective intervention for improving psychological health.

The study investigates how household rules governing video‑game use influence weekly play time and the emergence of gaming disorder among Japanese elementary and middle‑school students. By tracking participants over two survey waves—late 2022 to early 2023 and late 2023 to early 2024—the research tests whether specifying permissible gaming periods or prohibiting certain times can curb excessive play and related daily‑life problems.

A longitudinal sample was drawn from four elementary schools and four middle schools in Tokyo and Fukuoka, yielding 243 elementary and 201 middle‑school respondents after excluding esports players. Analyses focused on the 147 elementary and 107 middle‑school students who reported gaming at least once per week across both waves. Weekly gaming hours were calculated from weekday and weekend use, while gaming disorder was measured with the ICD‑11‑based Gaming Disorder Test and a custom scale assessing disruptions to sleep, meals, and routine. The presence of two rule types—“allowed‑time” (e.g., one hour per day) and “prohibited‑time” (e.g., no gaming after midnight)—was recorded at each wave and examined using cross‑lagged models and mixed‑design ANOVAs.

Results show that higher weekly gaming hours predict later increases in gaming‑disorder scores for both age groups (standardized coefficients .12 for elementary and .11 for middle‑school students), while disorder does not feed back into later play time. Gaming hours and daily‑life problems mutually reinforce each other, forming a negative feedback

The 2024 Game Developer Survey for Japan provides a comprehensive snapshot of compensation trends among the nation’s game development workforce, focusing on individuals with formal vocational‑school or university education. By capturing responses from a broad cross‑section of developers, the study aims to assess whether recent industry growth translates into tangible financial benefits for skilled professionals.

Findings reveal that more than 80 % of educated respondents reported a salary increase over the preceding year, a pattern that holds consistently for full‑time employees, with roughly the same proportion experiencing any rise in earnings. This upward trajectory suggests that Japanese studios are increasingly rewarding qualified talent, reflecting both heightened competition for skilled labor and the sector’s expanding revenue streams. The data also underscore the importance of formal education as a predictor of wage growth, indicating that employers value academic credentials when allocating compensation adjustments.

Overall, the survey indicates a robust and positive compensation environment for Japan’s game development sector in 2024, highlighting sustained investment in human capital. The prevalence of salary gains among highly educated, full‑time developers points to a healthy labor market that may enhance talent retention and support continued industry innovation.

The Japanese mobile gaming market is characterized by a conservative but highly specialized marketing landscape, where local companies maintain a dominant revenue position. Analysis of data from 2023 reveals that Japan’s share of advertisers using new creatives (62.23%) and the overall volume of new creatives (29.77%) sit significantly below global averages. Despite this lower turnover, the market remains lucrative, with Japanese firms controlling nine of the top ten spots for revenue on the App Store. Chinese developers represent the most significant foreign presence, accounting for 30% of the top 100 grossing titles.

Marketing strategies in the region rely heavily on cultural integration and long-term player retention. Key findings highlight the importance of pre-registration campaigns, which utilize tiered rewards ranging from in-game currency to physical prizes like consoles. Anniversary and half-anniversary celebrations are critical milestones used to reactivate lapsed users and boost revenue through exclusive content. Furthermore, cross-industry collaborations with popular anime, film, and music IPs serve as a primary driver for market expansion and community engagement.

Creative trends are distinctively localized, featuring "over-exposure" visual filters, text-heavy layouts, and manga-style storyboards. Video ads are the dominant format, making up nearly 70% of mobile game creatives. Recent successful campaigns, such as those for Legend of Mushroom and Saint Seiya: Legend of Justice, demonstrate the effectiveness of using local celebrity endorsements, nostalgic IP elements, and AI-generated imagery to target specific demographics like the "Otaku" segment.

The data, compiled by SocialPeta, draws from a global database of 1.4 billion ad creatives across 70 countries and 70 ad channels, including Facebook, TikTok, and YouTube. While casual and puzzle games lead in advertiser volume, RPGs remain the highest-grossing genre, accounting for 32% of the top 100 revenue-generating games on Google Play.

The analysis provides a comprehensive overview of Japan’s mobile‑gaming ecosystem in 2024, measuring the market’s size, growth dynamics, and competitive landscape. Total in‑app purchase (IAP) revenue reached roughly ¥2.5 trillion, marking a modest increase over 2023, while the combined share of the Apple App Store and Google Play stabilized at about 55 % and 45 % respectively. Advertising‑derived income expanded by 35 % year‑on‑year, now accounting for roughly 8 % of overall mobile‑gaming revenue, driven largely by user acquisition through YouTube, TikTok and Instagram.

Top‑grossing publishers dominate the market, with Mixi, Bandai Namco, CyberAgent, miHoYo, Square Enix and GungHo each securing multiple titles in the upper echelon of revenue. Flagship games such as Fate/Grand Order, eFootball, Pokémon GO, and the One Piece franchise collectively generated more than ¥1 trillion, underscoring the continued strength of established IPs. Genre analysis shows 3D titles now represent roughly half of the top‑performing apps, reflecting a shift toward richer visual experiences, while 2D and casual games retain a sizable user base.

The study covers the period January through July

DeNA is undergoing a fundamental strategic evolution, transitioning from a primary focus on entertainment and gaming toward a diversified "Serve" approach that addresses complex social issues. This shift leverages the company’s core competencies in internet technology and artificial intelligence to drive growth across healthcare, medical digital transformation, and urban development. While the capital market historically viewed the organization as a hit-driven game company, the current strategy emphasizes a multi-segment portfolio designed for sustainable, long-term value creation. This transformation is centered in Japan, particularly through its "Home Base" in Yokohama, but maintains a global reach through international medical platforms and strategic intellectual property partnerships.

Financial performance in FY2022 reflects this transition, with consolidated revenue reaching ¥134.9 billion. While the game segment faced revenue declines, prompting a shift toward a global pipeline of major IP and partnerships with Nintendo and Shueisha, other sectors showed robust growth. The Live Streaming segment, bolstered by the Vtuber app IRIAM, and the Healthcare & Medical segment, driven by the expansion of the "Join" communication platform and a health database covering 18 million people, have become significant growth engines. The company aims for ¥20 billion in healthcare revenue by FY2024, utilizing M&A and medical IoT to capture a domestic market potential valued in the hundreds of billions of yen.

The organizational structure supports this diversification through a sophisticated human capital strategy and a rigorous governance framework. DeNA emphasizes autonomous career development and internal mobility to optimize its workforce across sports, AI, and healthcare initiatives. Governance is maintained through a board with 43% independent representation and a performance-linked compensation structure that aligns management incentives with shareholder interests. Furthermore, the company has integrated sustainability and risk management into its core operations, monitoring climate-related emissions and maintaining robust cybersecurity protocols to protect its expanding digital and medical data ecosystems.

NHK Enterprise is launching the “Kami‑Ge Creator Evolution” contest as a dedicated platform for nurturing the next generation of Japanese game developers, and from 2024 it will incorporate the Japan Game Awards’ Amateur and U18 divisions. The initiative, begun in 2022 under the theme “Evolve the Game,” seeks to discover and develop talent through a series of contest events, community support, and media exposure, including a documentary broadcast on NHK General in February 2023 that generated strong public interest.

The competition invites creators from across Japan to submit original games, which are evaluated for innovative expansion of the medium’s boundaries by a diverse panel of established game designers, media artists, and other industry figures. In addition to expert judging, a public popularity vote is conducted, and the contest awards a Grand Prize, Excellence Awards, and Honorable Mentions in the Amateur category, while the U18 category focuses on participants aged 18 or younger, reflecting the Japan Game Awards’ long‑standing commitment to youth development since 2018. The 2024 schedule begins with an entry period from 1 February to the end of April, followed by nomination, second‑round video submissions in July, third‑round game submissions in October, finalist announcements at the end of October, and a final event slated for December.

A closed Discord community supports participants with exclusive benefits, knowledge sharing, and mentorship, reinforcing the project’s role as a learning environment. Special cooperation from the Computer Entertainment Supplier’s Association (CESA) provides additional industry credibility and resources. The contest is open to individuals, teams, corporations, and organizations regardless of age, gender, nationality, or the number of entries, emphasizing inclusivity and broad outreach.

By integrating the Amateur and U18 awards, the “Kami‑Ge Creator Evolution” aims to broaden the creative framework of Japanese games, foster innovative design, and strengthen the pipeline of skilled developers. The organizers are actively seeking sponsors to sustain the project’s growth and align with NHK Enterprise’s broader commitment to sustainable development and cultural enrichment.

The invitation seeks to generate business opportunities for Japanese video‑game, animation and related audiovisual firms by showcasing the Canary Islands as a strategic production hub. It positions the archipelago as an emerging, tax‑friendly environment, highlighting preferential rates for game development, film and animation, as well as a reduced corporate tax rate, alongside high‑quality infrastructure, skilled talent pools, and strong public support. The core thesis is that direct exposure to local studios, financing mechanisms and regulatory incentives will encourage Japanese companies to establish subsidiaries, pursue co‑production agreements, or outsource projects to Canary Island partners.

The mission is scheduled for 9 – 15 October, with participants traveling from Japan to Tenerife on 9 October and returning after the final day on 15 October. The itinerary includes briefings on the regional industry and tax regime, visits to multiple development studios such as Drakhar, Foxter, The Game Kitchen, Promineo and No Brake Games, a tour of a super‑computer facility, and attendance at the Canarias Game Show on Gran Canaria, featuring B2B matchmaking, conference sessions and networking dinners. All travel costs—including economy‑class round‑trip airfare, hotel accommodation, meals and intra‑island transport—are covered by the organizers, with additional support offered for group participation.

Target participants are Japanese firms contemplating legal entity formation in the Canary Islands, joint‑development projects, or outsourcing production to local studios. The program is coordinated by the Spanish Embassy’s Economic and Commercial Section in Tokyo and the Canary Islands government agency Proexca, which also serves on the regional game office. While the embassy assists with logistics, detailed tax‑incentive information is to be obtained from the Canary Islands authorities and specialist advisors. The initiative aims to deepen Japan‑Spain investment ties within the audiovisual sector by converting the exploratory visit into concrete commercial collaborations.

Japan is rapidly evolving from a video game superpower into a significant esports market, overcoming historical regulatory and cultural hurdles. While the country previously lagged behind China and South Korea due to strict anti-gambling laws that capped prize pools and a lack of domestic titles in popular esports genres like MOBAs, recent policy shifts have transformed the landscape. Following the 2019 removal of most legal restrictions and the formation of the Japan Esports Union (JeSU), the market grew by 11% to reach $77 million in 2022.

The ecosystem is characterized by a unique "watching but not playing" culture, where livestreaming and content creation drive engagement among both gamers and non-gamers. This has led to the rise of prominent organizations such as Crazy Raccoon, DetonatioN FocusMe, FENNEL, SCARZ, and ZETA DIVISION. These teams increasingly operate as lifestyle brands, generating revenue through traditional sponsorships, merchandise, and specialized content partnerships. Notably, non-endemic brands like Nissin Foods have entered the space, with sponsorship fees reportedly increasing tenfold over the last five years.

Despite this momentum, the industry faces challenges, including a "Galapagos syndrome" where domestic game preferences differ from global trends, and a power imbalance where publishers maintain strict control over tournament formats. However, the outlook remains optimistic. Industry leaders anticipate further consolidation and professionalization, mirroring the evolution seen in Western markets a decade ago. As teams seek international expansion and venture capital, Japan is positioned to become a major hub for esports talent and tourism in Asia.

The announcement serves to inform viewers of the upcoming televised presentation of the inaugural “Kami‑Game Creator Evolution” contest, a competition designed to discover and nurture emerging game developers across Japan. The broadcast is scheduled for February 23, 2023 at 23:45 on NHK General, with simultaneous streaming on NHK Plus, NHK On‑Demand, and the contest’s official YouTube and Niconico channels, ensuring broad accessibility for a national audience.

Organized by NHK Enterprise and endorsed by the Computer Entertainment Association, the project integrates three pillars: a nationwide contest held between December 2022 and January 2023, a televised program that showcases the finalists, and an online community hosted on Discord for participants and candidates. The contest solicited entries from young creators throughout the country, aiming to spotlight innovative concepts and support their development through exposure, mentorship, and peer interaction.

The initiative’s strategic goal is to invigorate the Japanese gaming sector by fostering fresh talent and encouraging collaboration between creators and broadcasters. By leveraging both traditional television and digital platforms, the program seeks to reach diverse demographics, from casual viewers to industry professionals, thereby amplifying the impact of the selected works.

Supporting resources include a dedicated website, official Twitter feed, YouTube channel, and archived event streams, which together provide continuous updates, promotional material, and a repository of contest content for ongoing community engagement.

Mobile games: state of the market & playtime Joint report of Apptica & Gamelight The purpose of this study is to analyse the state of gaming category in Q3 2023. All data presented in this report has been collected from Apptica and Gamelight platforms. "Games" category is defined by a store's tag. The basis of this analysis is made up of data from the Apptica's Store, Ad and Market Intelligence sections and Gamelight's playtime and app usage data.