Women went from 621 in 2022 to 685 in 2023
Source: Brazilian Gaming Industry Report 2023the proportion of women dropped from 33.7% to 28.1%
Source: Brazilian Gaming Industry Report 2023In November 2022, Pernambuco studio PUGA, which specializes in art production, was bought by developer Room 8 Group.
Source: Brazilian Gaming Industry Report 2023In the 2023 survey, 309 companies responded as developer studios, an increase of around 39% compared to 2022 (223 companies).
Source: Brazilian Gaming Industry Report 2023Software development dropped from 25% to 23%, now ranking as the fourth most performed activity by developers.
Source: Brazilian Gaming Industry Report 2023the proportion of men grew from 64.3% in 2022 to 70.4% in 2023
The other inclusion policies are represented as follows: 11% for LGBTQIA+ people; 10% for black people; 6% for trans people; 4% for neuro-diverse people; 3% for disabled people, indigenous people and people over 50, and 1% for refugees and foreigners.
Source: Brazilian Gaming Industry Report 2023The largest proportion of men is in the area of Programming and Project Management at 30% (237 people), a lower proportion than in 2022 (35%), although the absolute number has risen.
Source: Brazilian Gaming Industry Report 2023
Figure 09: Mapping by Region

Figure 01: History of the Brazilian gaming industry

The figure illustrates the timeline of significant events related to the creation and development of the Brazilian Game Show, spanning from 2008 to 2017. The timeline is marked by a series of blue and green circles, each representing a specific event or milestone. Here is a detailed description of the events: 1. **2008**: - The Ministry of Culture's Brazilian Games program is launched. 2. **2009**: - Abragames' second Digital Gaming Industry Mapping: 42 companies in Brazil are involved. 3. **2011**: - The first workshop for the Creation of Projects for the Development of a Digital Games Industry in Brazil is held. 4. **2012**: - Launch of the games Export Program at Apex Festival with Abragames, Brazilian Game Developers (currently Brazil Games). 5. **2013**: - The first edition of the BIG Festival is announced. 6. **2014**: - FEP Games and the 1st Census of the Brazilian Digital Gaming Industry are established. 7. **2016**: - The companies Kokku and Diorama participated in the development of the game Horizon Zero Dawn by Guerrilla Games. 8. **2017**: - The companies Kokku and Diorama participated in the development of the game Horizon Zero Dawn by Guerrilla Games. The figure effectively maps out the progression and key milestones in the development of the Brazilian Game Show, highlighting the collaborative efforts between various entities over the years.

The figure illustrates the concept of a "spacecraft" in the context of space exploration and communication. The spacecraft is depicted as a stylized, abstract representation with various components that symbolize different aspects of space communication and navigation. 1. **Spacecraft Body**: The main body of the spacecraft is shown in green, with a simple, geometric design. This part represents the main structure of the spacecraft, which is typically designed to house essential systems and components. 2. **Antenna**: On the right side of the spacecraft, there is a white antenna with a blue base. This antenna is crucial for transmitting and receiving signals in space, enabling communication between Earth and the spacecraft. 3. **Solar Panels**: The antenna is connected to a yellow solar panel, which is depicted as a curved structure. Solar panels are essential for providing power to the spacecraft by harnessing energy from the sun. 4. **Communication Link**: The antenna is shown emitting a signal, represented by a blue line with a small circle at the end. This indicates that the spacecraft is actively communicating, possibly sending or receiving data. 5. **Background**: The background features a stylized representation of outer space, with stars and a dark blue sky. This setting emphasizes the vastness and isolation of space. 6. **Color Scheme**: The use of bright, contrasting colors (green for the spacecraft body, yellow for the solar panel, and blue for the antenna) helps to visually distinguish different parts of the spacecraft. The background uses a gradient of dark blue and black, adding depth to the image. Overall, this figure effectively communicates the idea of a spacecraft as a complex system designed for space communication and navigation. The various components work together to enable the spacecraft to operate in space, ensuring effective transmission of data and signals.

The figure illustrates the concept of a "sensor" in the context of a smart home system. The image is divided into two parts: (a) and (b). ### Part (a): Sensor - **Device**: The sensor is depicted as a small, black device with a red button on top. It has a rectangular shape with rounded corners. - **Functionality**: The sensor is shown to be attached to a piece of paper, which appears to be a document or form. The sensor is likely used to detect and measure certain parameters, such as temperature, humidity, or other environmental factors within the smart home environment. ### Part (b): Data Flow - **Color Coding**: The figure uses different colors to represent various data flows: - **Green**: Represents the primary data flow, which is likely related to the sensor's readings or measurements. - **Yellow**: Indicates secondary data flows, possibly related to the processing or communication of sensor data. - **Red**: Highlights the most critical data flow, which is essential for understanding how the sensor's readings are interpreted and utilized within the smart home system. ### Interpretation - **Smart Home System**: The overall setup suggests that the sensor is part of a larger smart home system, where various environmental parameters are monitored and controlled. - **Data Processing**: The different colored data flows indicate the flow of information from the sensor to various processing units or applications within the smart home. This could include data collection, analysis, and decision-making processes. - **User Interaction**: The presence of the red arrow looping back to the sensor implies that there is a continuous interaction between the user and the smart home system, where the user might be adjusting settings or monitoring the sensor's readings. ### Conclusion This figure effectively communicates the role of a sensor in a smart home system, emphasizing its importance in collecting and processing environmental data. The color-coded representation he

The figure illustrates the concept of a "spacecraft" in the context of space exploration and communication. The spacecraft is depicted as a stylized, futuristic object with a green body and a purple circular feature on its surface. The spacecraft is shown in two different positions, indicating its movement or rotation around a central point. The background of the figure features a stylized representation of space, with stars and a celestial body (possibly representing Earth or another planet) in the distance. The spacecraft is positioned near this celestial body, suggesting its role in space exploration or communication. The figure likely aims to convey the idea of a spacecraft's ability to move and communicate in space, emphasizing its role as a key component in the broader context of space exploration and communication networks. The use of vibrant colors and dynamic shapes helps to convey a sense of innovation, progress, and the interconnectedness of space-related technologies.
The Brazilian gaming industry represents a rapidly maturing ecosystem that defied global trends in 2022, growing by 3% to reach 103 million players while the international market experienced its first contraction. With 1,042 active studios as of 2023—a 177% increase over five years—the sector is primarily composed of micro and small enterprises concentrated in the Southeast and South regions. Despite this expansion, local studio revenue accounts for only 10% of domestic consumption, highlighting a significant gap between local production and the country’s status as the world’s fifth-largest online gaming population. Development trends show a shift toward multi-platform strategies, with computers and mobile devices serving as the primary targets for the 1,009 games produced in 2022. While 93% of studios develop proprietary intellectual property, there is a burgeoning reliance on international markets; 65% of studios active abroad derive more than half of their revenue from exports. Furthermore, the industry has seen a 62% surge in outsourcing services, particularly in 3D art and animation, signaling a transition toward high-value service provision for the global entertainment sector. The workforce expanded to over 13,000 professionals in 2022, characterized by a 70% remote work rate and an increasing focus on administrative roles that suggest greater corporate maturity. However, the industry faces persistent structural and social challenges. The lack of a specific national economic classification complicates data collection, while diversity remains a critical area for improvement. Women represent only 24.3% of the workforce, and minority groups remain underrepresented. While external initiatives and diversity councils aim to foster inclusivity, 82% of companies still lack formal internal inclusion policies, indicating that the sector’s social evolution has yet to match its rapid economic and technical acceleration.
**Fact Sheet 2023 – Brazil Game Industry – Executive Summary** Below is a concise synthesis of the most relevant data, trends and insights from the 2023 Fact Sheet (compiled July 2023) on the Brazilian games sector. All figures refer to the 2022‑2023 survey period unless otherwise noted. --- ## 1. Macro‑economic context | Indicator | 2022 | 2023 (survey) | |-----------|------|---------------| | **Growth of the sector** | +3 % (contrasting with a 4,3 % global decline) | Continued modest growth; Brazil remains one of the few markets expanding year‑on‑year. | | **International revenue share** | 70 % of studios earn > 50 % of their turnover abroad | 58 % of studios now sell internationally; 10 % have permanent reps or PR offices overseas. | | **Key export markets** | United States (58 %), Latin America (57 %), Western Europe (54 %) | Same hierarchy, with a noticeable rise in Western‑European share (from 49 % to 54 %). | --- ## 2. Industry structure & geography | Metric | Value | |--------|-------| | **Active development studios (2022)** | **≈ 1 042** (↑ ~ 2 % YoY) | | **Studios > 10 yr old** | 17 % | | **Studios < 2 yr old** | 19 % | | **Formalised studios** | 85 % (63 % of the non‑formalised plan to formalise within 2 yr) | | **Regional distribution** | Southeast 58 % (dominant hub), South 20 % (‑1 % YoY), Northeast 15 % (+1 % YoY), Center‑West 6 %, North 2 % (‑1 % YoY) | | **Unlocated studios** | 222 (data gaps) | *Implication:* The sector is highly concentrated in the Southeast, but growth is emerging in the Northeast and other regions, driven by remote‑work adoption and expanding local education programs. --- ## 3. Internationalisation & market exposure * **Export activity:** 58 % of surveyed studios reported sales abroad in 2022. * **Foreign representation:** 10 % maintain a dedicated overseas representative or PR office. * **International business exposure (2022 vs 2023):** * Visitor/Listener at foreign events – 33 % → 39 % * Exhibitor/Presenter – 17 % → 14 % * Commercial missions – 10 % → 13 % * International round‑tables – 30 % → 33 % *Key takeaway:* Participation in B2B events abroad is the most effective lever for increasing foreign sales and partnerships. --- ## 4. Technology stack (engines) |
The 2023 national survey of Brazil’s game‑development ecosystem maps the sector as it stood in 2022, revealing a vibrant but highly fragmented industry dominated by micro‑ and small studios. With 1,042 active studios and a representative sample of 309 developers, 214 freelancers and 80 support organisations, the market expanded despite a 5.1 % contraction in the global games market, delivering a 3 % domestic growth that lifted the industry to US $182.9 bn in 2022 and projecting US $206.4 bn by 2025. Brazil ranks fifth worldwide in online population, hosting roughly 103 million gamers; revenue generation is led by mobile (49 %), followed by PC (26 %) and consoles (25 %), while gender parity approaches equality with women accounting for 46.2 % of players. Export orientation is emerging, as 76 % of developers target the domestic market but substantial shares also aim at the United States (58 %), Latin America (57 %) and Western Europe (55 %). Prospects for the next three years show Canada and Latin America each featuring in 47 % of sales roadmaps, with China appearing in 44 % of plans, indicating a gradual diversification of export destinations. The sector is supported by 17 regional industry associations and coordinated nationally by Abragames, Brazil Games and ApexBrasil, which provide market representation, business‑matching missions and participation in overseas fairs. Artificial intelligence dominates technology priorities, cited by more than half of respondents as a short‑ and long‑term focus, while XR/VR/AR follows closely, driven by 5G and new engines such as Unreal Engine 5. Interest in blockchain and
Brazil represents a significant force in the global gaming industry, ranking as the 10th largest market worldwide by revenue and 5th by total player count as of 2022. The region is characterized by high levels of engagement, with 80% of the online population identified as game enthusiasts. This engagement extends beyond play, as 60% of the audience both plays and watches gaming video content, while only 25% play without viewing. The demographic profile of Brazilian gamers is diverse, though it skews toward younger males. Approximately 51% of players are male and 48% are female, with the 21–35 age bracket forming the largest segment at 43%. Mobile gaming is the dominant platform, utilized by 60% of the gaming population, followed by console and PC at 31% and 30% respectively. Despite the prevalence of mobile, average weekly play times are consistent across platforms, ranging from roughly four and a half to five hours. Monetization trends indicate a healthy spending culture, with 43% of players classified as payers. The primary drivers for spending include unlocking exclusive playable content and personalizing in-game characters. Popular titles in the region include competitive and social games such as League of Legends, Fortnite, and Roblox. The findings are based on a survey of 2,063 active internet users aged 10–65 in residential developed areas of Brazil. The methodology utilizes a "Residential Developed Approach," ensuring the data is representative of the connected population within these specific geographic zones. The research was conducted by Newzoo as part of their 2022 Global Games Market Report and Consumer Insights series.
Brazil has established itself as the preeminent games market in Latin America and the 12th largest globally, generating approximately USD 2.3 billion in 2021. The ecosystem is defined by rapid professionalization and internationalization, evidenced by a 102% increase in active studios since 2018. With over 1,000 companies and a workforce exceeding 12,000 professionals, the industry has transitioned from a historical period of informality to a sophisticated hub for original intellectual property and high-quality external development services. While the Southeast and South regions remain the primary geographic hubs, the sector’s reach is global, with over half of local companies serving international markets, particularly in the United States and Europe. The industry demonstrates increasing maturity through longer studio lifespans and a shift toward diverse platforms. While mobile and PC development remain dominant, console production grew significantly to 17% of the market by 2021. Beyond entertainment, Brazilian studios maintain a strong presence in educational and corporate gamification. Despite this growth, structural challenges persist, including a lack of formal inclusion policies for underrepresented groups and a "wage war" for senior talent driven by the rise of remote work for foreign firms. Furthermore, the workforce is navigating a transition where 93% of companies now focus on proprietary IP, moving away from a pure service-provider model. Economic and regulatory hurdles continue to shape the landscape. Federal funding has reached historic lows, forcing a reliance on founder capital and state-level initiatives. Developers face significant "legal insecurity" due to the absence of a specific regulatory category for games and a tax system that treats development hardware as luxury entertainment rather than capital goods. Nevertheless, the resilience of the sector is underscored by a 336% revenue increase in USD since 2015 and the emergence of "unicorns" like Wildlife. The industry remains a vital component of the global value chain, increasingly recognized for its technical proficiency in engines like Unity and its expanding role in emerging technologies such as blockchain and the metaverse.
Brazil solidified its position as a global leader in mobile engagement throughout 2021, with users averaging 5.4 hours daily on apps, the highest rate in the world. This intense engagement fueled 10.3 billion new downloads and a 63% increase in consumer spending over two years, totaling $1.13 billion. The gaming sector acted as a primary catalyst for this expansion, contributing 4.5 billion downloads and $571 million in revenue. While Arcade and Action titles gained momentum, Free Fire remained a dominant force in the market, reflecting a strong national preference for the battle royale genre alongside short-form video platforms like TikTok. Beyond entertainment, the digital landscape underwent a structural shift toward financial and essential services. Finance app downloads surged by 91% over two years as a large underbanked population transitioned to neobanks such as Nubank and PicPay. This digital adoption extended to the retail and food sectors, where shopping app usage grew 45% year-over-year and food delivery sessions reached record peaks. International publishers captured over half of the shopping app market, signaling a highly competitive environment for domestic and overseas developers alike. Social engagement and utility apps also saw significant deepening of user habits. Social, photo, and video apps captured seventy percent of all mobile time, with live streaming and video-heavy communication driving record engagement. Health and fitness downloads rose 30% over two years, while the sports and travel sectors rebounded toward pre-pandemic levels. The diversification of the app economy was further evidenced by the rise of income-generating business tools and delivery driver platforms, illustrating that mobile devices have become central to both the personal lives and economic livelihoods of Brazilian consumers.
The 2022 Brazilian Games Industry Survey demonstrates that Brazil’s gaming sector has entered a phase of rapid expansion and increasing global relevance. Between 2018 and 2022 the number of domestic development studios more than doubled, rising from 375 to 1,009, while domestic digital‑game sales reached over US $2.3 billion in 2021, accounting for roughly three‑quarters of the market’s total revenue. This growth reflects a maturing ecosystem that now includes a full spectrum of domestic and foreign participants, from independent creators to multinational publishers. The analysis highlights a dual‑track outlook in which private investment is expected to intensify, driving higher levels of international publishing, scaling of emerging opportunities, and greater promotion of Brazilian events abroad. Concurrently, public agencies such as Abragames, Brazil Games and ApexBrasil are projected to expand quantitative support through export missions, business‑matching initiatives and promotional campaigns, reinforcing the sector’s export potential. A broad portfolio of recent Brazilian titles illustrates the country’s expanding talent pool and creative versatility, positioning Brazil as a competitive player on the world stage. Overall, the findings underscore a robust, export‑oriented trajectory for Brazil’s gaming industry, driven by a surge in studio formation, strong domestic sales, and coordinated public‑private efforts aimed at amplifying international visibility and market access. The survey’s scope encompasses the national market from 2018 through 2022, covering studio demographics, revenue figures, and the institutional framework supporting the sector’s growth.
Brazil solidified its position as a global leader in mobile engagement throughout 2021, with users averaging 5.4 hours daily on their devices. This record-breaking activity drove 10.3 billion app downloads and a 22% year-over-year increase in consumer spending, which reached $1.13 billion. While social, communication, and video streaming apps captured 70% of total mobile minutes, the gaming sector emerged as the primary engine for monetization, accounting for more than half of all consumer expenditures. Hypercasual titles led in volume, while 4X Strategy games dominated revenue generation. The market underwent a profound digital transformation across the finance and retail sectors. Finance app downloads surged by 91% over a two-year period, fueled by a large underbanked population gravitating toward neobanks like Nubank and PicPay. Similarly, shopping app engagement rose 45%, though domestic players faced increasing competition as international publishers secured a 52% share of the local market. This shift toward digital-first services extended to the "rapid delivery" and food sectors, where sessions reached 4.5 billion, and the business category, where users increasingly utilized apps to secure alternative income through gig economy platforms. Post-pandemic recovery and lifestyle shifts further diversified the mobile landscape. Travel and sports apps saw significant rebounds in downloads and time spent, while the dating sector reached $47 million in consumer spend, marking a 62% increase since 2018. Health and fitness apps also maintained momentum with a 30% growth in downloads compared to pre-pandemic levels. Emerging trends, such as the 45% surge in TikTok usage and the rise of avatar-based social metaverses, indicate a maturing market where short-form video and interactive digital environments are becoming central to the Brazilian mobile experience.