Investment

Investment in Blockchain Games (Q4 2022 → Q1 2023)

| Quarter | Investment (USD) | Investment (Bn USD) | % Quarter‑over‑Quarter Change | |---------|------------------|----------------------|--------------------------------| | Q4 2022 | ≈ $654.5 million | ≈ 0.655 Bn | – | | Q1 2023 | $739 million | 0.739 Bn | +12.95 % |

How the numbers were derived

The report states that Q1 2023 saw a 12.95 % increase over the previous quarter and that the Q1 2023 total was $739 M. To back‑calculate the Q4 2022 figure:

\[ \text{Q4 2022 Investment} = \frac{\text{Q1 2023 Investment}}{1 + 0.1295} = \frac{739\text{ M}}{1.1295} \approx 654.5\text{ M} \]

Converting to billions (1 Bn = 1,000 M):

\[ 654.5\text{ M} \approx 0.655\text{ Bn} \qquad 739\text{ M} = 0.739\text{ Bn} \]

Key take‑away

Q1 2023 investment in blockchain gaming and metaverse projects reached $739 M (0.739 Bn), marking a robust 12.95 % quarter‑over‑quarter growth from the ≈ $654.5 M (0.655 Bn) invested in Q4 2022. This upward trajectory underscores the accelerating capital interest in the blockchain gaming sector.

Japan is rapidly evolving from a video game superpower into a significant esports market, overcoming historical regulatory and cultural hurdles. While the country previously lagged behind China and South Korea due to strict anti-gambling laws that capped prize pools and a lack of domestic titles in popular esports genres like MOBAs, recent policy shifts have transformed the landscape. Following the 2019 removal of most legal restrictions and the formation of the Japan Esports Union (JeSU), the market grew by 11% to reach $77 million in 2022.

The ecosystem is characterized by a unique "watching but not playing" culture, where livestreaming and content creation drive engagement among both gamers and non-gamers. This has led to the rise of prominent organizations such as Crazy Raccoon, DetonatioN FocusMe, FENNEL, SCARZ, and ZETA DIVISION. These teams increasingly operate as lifestyle brands, generating revenue through traditional sponsorships, merchandise, and specialized content partnerships. Notably, non-endemic brands like Nissin Foods have entered the space, with sponsorship fees reportedly increasing tenfold over the last five years.

Despite this momentum, the industry faces challenges, including a "Galapagos syndrome" where domestic game preferences differ from global trends, and a power imbalance where publishers maintain strict control over tournament formats. However, the outlook remains optimistic. Industry leaders anticipate further consolidation and professionalization, mirroring the evolution seen in Western markets a decade ago. As teams seek international expansion and venture capital, Japan is positioned to become a major hub for esports talent and tourism in Asia.

People Can Fly’s strategic update, issued on 31 January 2023, outlines a transformation from a single‑title studio into a multi‑project, globally distributed developer and emerging self‑publisher. The core thesis is that leveraging the group’s expertise in AAA shooters, Unreal Engine technology, and a newly expanded talent pool will enable simultaneous delivery of several high‑quality games while shifting revenue generation toward Game‑as‑a‑Service and diversified monetisation models.

Over the past two years the group has completed the Outriders launch and its Worldslayer expansion, restructured its production pipeline from one‑game‑at‑a‑time to parallel development, and opened new studios in Kraków and Montréal. Acquisitions of Phosphor Games (Chicago), Game On Creative (motion‑capture and cinematics), and Incuvo S.A. (VR) have broadened capabilities into compact‑AAA, virtual‑reality and live‑service titles. The workforce now exceeds 600 “Aviators,” including roughly 400 developers, with two‑thirds based in Europe and one‑third in North America. Internal processes rely on agile, matrix‑based feature teams, a proprietary PCF Framework for Unreal Engine, and Centers of Excellence that foster cross‑project knowledge sharing.

Future plans target six new releases by 2027, aiming for at least 3 billion PLN in combined revenue from 2023‑2027. The pipeline includes the AAA work‑for‑hire title Gemini (partnered with Square Enix, slated for 2026), the self‑funded AAA projects Dagger, Bifrost and Victoria (all projected for 2025‑26), the compact‑AAA concept Red, and the self‑published VR titles Thunder (2023) and Green Hell VR (202

The global gaming market achieved a record $127 billion in total deal value across 1,320 transactions in 2022, a surge primarily fueled by a threefold increase in merger and acquisition volume. This consolidation was headlined by transformative deals such as Microsoft’s $68.9 billion pending acquisition of Activision Blizzard and Take-Two’s $12.7 billion purchase of Zynga. While the PC, console, and platform tools segments attracted the highest volume of interest, major technology firms including Meta, Google, and Netflix simultaneously expanded their internal capabilities through strategic acquisitions in virtual reality, artificial intelligence, and independent studio development.

Despite the record-breaking M&A activity, the broader financial landscape reflected significant volatility. Public gaming stocks experienced sharp declines, with many market capitalizations falling by more than 30%. Private financing deal counts rose by 29%, yet the total capital raised decreased to $11.1 billion as late-stage investments cooled. Blockchain gaming emerged as a particularly resilient sub-sector, securing $4 billion in funding across nearly 400 companies, supported by over $13 billion raised by specialized venture capital funds. Established industry leaders like Sony and Nintendo maintained robust EBITDA margins of 19.5% and 35.0% respectively, demonstrating operational stability amidst macroeconomic shifts.

The industry is transitioning into a period of heavy consolidation and potential "taking private" transactions as companies capitalize on lower public valuations. Future growth and investment are expected to concentrate on augmented and virtual reality, AI-driven development tools, and mobile audience expansion. Furthermore, the emergence of the Savvy Gaming Group, backed by a $35 billion investment fund, signals a shift toward new geographic centers of influence. As the market matures, the first significant wave of consolidation within the blockchain gaming sector is anticipated, marking a move toward more sustainable, high-quality project development.

The gaming industry experienced a significant contraction in deal-making activity during the first half of 2023, characterized by a challenging macroeconomic environment and a cooling of investor sentiment. The primary thesis of this analysis is that the sector is navigating a period of turbulence where high-value exits and late-stage investments have stalled, forcing companies to prioritize profitability, cost optimization, and internal restructuring over aggressive growth.

Key data points highlight a sharp decline across all major investment categories compared to the first half of 2022. Private investments fell to $1.5 billion across 239 deals, representing a substantial decrease in both volume and value. M&A activity saw an even more pronounced drop, with deal values plummeting as strategic investors shifted focus toward internal housekeeping and portfolio management. Public offerings remained largely muted, with companies increasingly opting to postpone listings due to unfavorable market conditions and valuation corrections. While early-stage venture capital remains the most resilient segment, it has also seen a shift in mindset, with startups moving away from "growth at all costs" toward sustainable business models.

The scope of this analysis covers global gaming industry transactions, including private investments, M&A, and public offerings, throughout the first half of 2023. The methodology relies on tracking closed transactions involving companies with core operations in the video game sector, excluding pure gambling, betting, and non-gaming blockchain entities. Data is synthesized from public media, S&P Capital IQ, and market insights to provide a comprehensive view of the industry's financial health. Despite the current downturn, the report identifies emerging interest in artificial intelligence as a potential driver for future deal activity, even as the broader market continues to face headwinds.

The gaming industry experienced a significant cooling period in the first quarter of 2023, characterized by a sharp decline in deal activity across private investments, mergers and acquisitions (M&A), and public offerings. Following years of rapid expansion, the market has returned to more normalized levels as high interest rates and bearish public market conditions create a challenging environment for capital deployment. The analysis, which tracks closed transactions within the global video game industry, highlights a transition toward cautious investment strategies and a notable scarcity of late-stage funding.

Private investment activity remains the most resilient segment, though it has retreated from previous record highs. While early-stage funding continues to show robustness and serves as a primary driver for future industry unicorns, late-stage deals have stalled significantly, with only two closed transactions recorded in the quarter. Corporate investment activity has remained relatively stable compared to the previous year, though many participants have opted to keep deal values undisclosed. M&A activity reached a low point during the quarter, recording roughly half the volume of previous years, though early indicators suggest a potential rebound in subsequent periods driven by major strategic acquisitions.

Public offerings remain largely stagnant, with no immediate signs of recovery due to the prevailing macroeconomic climate. The methodology relies on tracking closed transactions—excluding pure gambling and non-gaming blockchain entities—using data from public media, business partners, and S&P Capital IQ. Despite the current downturn, the industry maintains a focus on early-stage development, with venture capital firms such as Andreessen Horowitz, Makers Fund, and BITKRAFT Ventures leading in deal volume and value. The overall outlook suggests a period of adjustment where market participants are prioritizing smaller, early-stage opportunities while navigating the uncertainties of the broader financial landscape.

The strategy overview presents PCF Group S.A. as a leading Polish producer of AAA‑level shooter games built on Unreal Engine, emphasizing its extensive experience, proprietary technology, and international development network. It positions the company as a high‑profile creator of original and co‑produced titles that have repeatedly appeared on the cover of the prestigious “Game Informer” magazine, citing notable releases such as Gears of War series, Bulletstorm, and collaborations with Epic Games on Fortnite.

Financial highlights indicate that cumulative revenue reached 608 million złoty between 2018 and 2022, representing a 4.9‑fold increase and a 2.4‑fold rise in EBITDA to 185 million złoty. The firm projects a similar revenue multiplier for 2023‑2027, driven primarily by a self‑publishing model and the launch of four core AAA projects and three supplementary titles, including two VR offerings slated for 2025‑2026. Shareholder structure after the IPO shows a diversified ownership with significant ESOP participation, and the capital plan anticipates issuing up to 5.85 million new shares.

Operationally, the group employs more than 600 specialists across two continents, organized into matrix‑based centers of excellence that support simultaneous development of multiple projects. The PCF Framework, an Unreal Engine add‑on, accelerates production pipelines and standardizes agile practices across seven development studios located in Warsaw, Newcastle, Montreal, Katowice, Rzeszów, New York, and Kraków. Recent acquisitions have expanded the portfolio with new IPs such as Gemini, Dagger, Bifrost, and Victoria, now in pre‑production.

Strategic goals focus on scaling the self‑publishing business, introducing “games‑as‑a‑service” monetization with micro‑transactions and seasonal passes, and strengthening the company’s position as an independent AAA publisher. The plan anticipates a workforce of over 1 200 employees by 2027, supported by incentive programs for shareholders and a robust cash flow structure designed to fund continued growth without external dilution.

The Australian Game Development Survey FY2023 reveals a maturing industry experiencing significant growth in both revenue and employment. Total income generated by local studios reached $345.5 million, a 21% increase over the previous year, while the workforce expanded by 17% to 2,458 full-time equivalent employees. This growth is largely attributed to increased federal and state government support, including the Digital Games Tax Offset (DGTO), which has bolstered developer confidence and attracted international interest.

The sector is heavily export-oriented, with 87% of revenue derived from markets outside of Australia. While the industry is diversifying, it remains concentrated in the eastern states, with Victoria housing 29% of studios and 41% of the workforce. The ecosystem is characterized by a mix of established and emerging entities; 32% of studios have operated for over a decade, yet 45% are five years old or less, and 29% are currently developing their first title. Small businesses dominate the landscape, with 79% of respondents employing fewer than 20 people.

Despite this upward trajectory, the industry faces notable headwinds. The primary challenges identified include difficulty hiring staff with specialized technical skills, attracting early-stage development funding, and securing international publishing deals amidst tightening global economic conditions. Nevertheless, 63% of studios intend to hire more staff in the coming year, and 68% predict continued income growth.

The findings are based on a survey of 111 Australian game development studios conducted by Bond University on behalf of the Interactive Games & Entertainment Association (IGEA). The data covers the financial year from July 1, 2022, to June 30, 2023, and includes metrics on gender diversity, which showed an increase in the representation of women and gender-diverse individuals within the workforce.

The 2023 white paper on Catalonia’s video‑game industry presents a detailed assessment of the sector’s economic performance and labour dynamics for the year 2022. It establishes that the regional market generated €709 million in revenue, reflecting a 7.5 percent decline compared with the previous year, while employment rose to 4 619 workers, an increase of 8.7 percent. This juxtaposition of falling turnover and rising headcount suggests a shift toward more labour‑intensive activities, such as development and ancillary services, even as overall sales pressures persist.

The analysis situates the sector within Catalonia’s broader creative economy, emphasizing its continued relevance as a source of high‑skill jobs and its capacity to attract talent despite modest revenue contraction. The data underline the resilience of the local ecosystem, which appears to be sustaining employment growth through diversification and possibly increased public or private investment in development capacities.

Overall, the findings portray a video‑game industry that, while facing short‑term market headwinds, maintains a solid employment base and remains a pivotal component of Catalonia’s digital and cultural output. The report implies that strategic support and continued innovation could reverse the revenue dip and further strengthen the region’s position in the European gaming landscape.

Fact Sheet 2023 – Brazil Game Industry – Executive Summary

Below is a concise synthesis of the most relevant data, trends and insights from the 2023 Fact Sheet (compiled July 2023) on the Brazilian games sector. All figures refer to the 2022‑2023 survey period unless otherwise noted.

1. Macro‑economic context | Indicator | 2022 | 2023 (survey) | |-----------|------|---------------| | Growth of the sector | +3 % (contrasting with a 4,3 % global decline) | Continued modest growth; Brazil remains one of the few markets expanding year‑on‑year. | | International revenue share | 70 % of studios earn > 50 % of their turnover abroad | 58 % of studios now sell internationally; 10 % have permanent reps or PR offices overseas. | | Key export markets | United States (58 %), Latin America (57 %), Western Europe (54 %) | Same hierarchy, with a noticeable rise in Western‑European share (from 49 % to 54 %). |

2. Industry structure & geography | Metric | Value | |--------|-------| | Active development studios (2022) | ≈ 1 042 (↑ ~ 2 % YoY) | | Studios > 10 yr old | 17 % | | Studios < 2 yr old | 19 % | | Formalised studios | 85 % (63 % of the non‑formalised plan to formalise within 2 yr) | | Regional distribution | Southeast 58 % (dominant hub), South 20 % (‑1 % YoY), Northeast 15 % (+1 % YoY), Center‑West 6 %, North 2 % (‑1 % YoY) | | Unlocated studios | 222 (data gaps) |

Implication: The sector is highly concentrated in the Southeast, but growth is emerging in the Northeast and other regions, driven by remote‑work adoption and expanding local education programs.

3. Internationalisation & market exposure Export activity: 58 % of surveyed studios reported sales abroad in 2022. Foreign representation: 10 % maintain a dedicated overseas representative or PR office. International business exposure (2022 vs 2023): Visitor/Listener at foreign events – 33 % → 39 % Exhibitor/Presenter – 17 % → 14 % Commercial missions – 10 % → 13 % International round‑tables – 30 % → 33 %

Key takeaway: Participation in B2B events abroad is the most effective lever for increasing foreign sales and partnerships.

4. Technology stack (engines) |

This analysis outlines the financial and operational performance of PCF Group S.A. (People Can Fly) for the first nine months of 2022. The primary thesis centers on the company’s strategic transition toward a self-publishing model and the expansion of its global production capabilities, despite facing financial headwinds due to the termination of a major development agreement with Take-Two Interactive.

Financial data indicates a year-over-year decline in key metrics. Revenue for the first nine months of 2022 reached 130.9 million PLN, compared to 131.8 million PLN in the same period of 2021. EBITDA fell from 54.9 million PLN to 40.3 million PLN, while net profit decreased from 46.4 million PLN to 42.1 million PLN. These declines are attributed largely to the conclusion of the Take-Two partnership. However, the balance sheet shows a significant increase in development work in progress, rising from 25.9 million PLN at the end of 2021 to 95.7 million PLN by September 30, 2022. This shift reflects higher internal resource allocation toward self-published titles.

The geographic and operational scope covers nine locations across Europe and North America, including studios in Warsaw, New York, and Montreal. The workforce grew substantially from 425 employees in September 2021 to 614 by September 2022. The group’s portfolio currently consists of seven projects, including major IPs such as Gemini, Dagger, and Bifrost, alongside VR titles like Thunder and Red. Four of these projects are in the pre-production phase.

Methodologically, the findings are based on consolidated financial results and internal management reporting. The data highlights a pivot from purely work-for-hire contracts to a hybrid model emphasizing intellectual property ownership and independent publishing, supported by a growing international team and the integration of specialized studios like Incuvo for VR development.

The analysis presents a comprehensive overview of the global gaming market in 2022 and its projected trajectory to 2027, emphasizing a modest expansion of the sector’s revenue base and a shifting investment landscape. The market reached $184.4 billion in 2022, a 2.3 % year‑over‑year increase, and is forecast to climb to $283 billion by 2027, reflecting an annual growth rate of roughly 9 %. Mobile platforms remain the dominant distribution channel, accounting for $116 billion of consumer spend in 2021, or 64 % of total gaming revenue, while console and emerging XR segments experience divergent pressures.

Venture capital activity illustrates a pronounced contraction after a 2021 peak, with total funding falling from $8.8 billion to $5.3 billion in 2022 and growth‑stage deals declining despite a stable number of transactions. Funding for web3 gaming collapsed by 83 % in Latin America and saw a global downturn, driven by concerns over token utility, game quality, and high-profile fraud incidents. Concurrently, regulatory scrutiny intensified, particularly around data‑privacy measures such as Apple’s IDFA and Google’s AAID, which have raised user‑acquisition costs and forced developers to prioritize content depth over advertising efficiency.

Corporate liquidity underscores a robust M&A environment: gaming firms collectively hold $47.7 billion in cash, while major tech companies with gaming divisions command $157 billion. Nevertheless, gaming‑focused ETFs underperformed, with ESPO and GAMR posting year‑to‑date declines of 35 % and 37 % respectively. The report draws on a blend of public market data, venture‑capital databases, and industry surveys from sources such as CB Insights, Newzoo, and major console manufacturers, covering all major regions and spanning the period from 2019 through Q4 2022.