Mode 7
Company
3 documents in the library are about Mode 7, from writers such as G|A|M|E – The Italian Journal of Game Studies and Gamigion. Each has a summary and key insights with the page they come from.
Connections
Each row is a game or company named alongside Mode 7, each column a document, oldest first. A mark means that document names it. Select a row to see those documents.
Documents about Mode 7
Beyond Almedia’s Freecash Ban: What’s up, REWARDED UA?
The rewarded user acquisition sector is currently navigating a critical period of transition following the removal of major platforms like Freecash from the Apple and Google app stores.
- Apple and Google removed the rewarded UA platform Freecash from their app stores due to concerns over misleading advertising practices and sensitive data handling.
- The rewarded UA model is shifting from simple 'install and delete' mechanics to a focus on long-term engagement, play, and monetization.
- Advertisers in the rewarded space often face challenges with profitability, as some top-tier games like Monopoly Go may pay $15–$25 per user, making it difficult to recoup costs within a one-year window.
Graphical Technologies, Innovation and Aesthetics in the Video Game Industry: A Case Study of the Shift from 2D to 3D Graphics in the 1990s
This study examines how graphical technologies shaped the video game industry during the 1990s, with particular focus on the transition from 2D to 3D graphics.
- The study's central argument is that graphical technology affects platform success only indirectly: visual innovations matter when tied to new gameplay possibilities rather than serving as superficial eye-candy.
- The authors identify a gap in scholarship on game innovation, noting that only a small fraction of papers at a major digital games conference address the topic.
- The Super NES favored refining proven genres such as platformers, role-playing games, and 2D action-adventures, using features like Mode 7 and layered backgrounds within familiar formulas.
Reverse-Engineering Graphical Innovation: An Introduction to Graphical Regimes
Arsenault and Côté's 2013 paper argues that graphical innovation in video games should be understood through two intertwined dimensions, functional and aesthetic, with technology serving as a facilitating agent rather than the sole cause of change.
- Arsenault and Côté (2013) argue that graphical innovation in video games rests on two intertwined dimensions, functional and aesthetic, with technology acting as a facilitator rather than the sole cause of change.
- The authors introduce the 'graphical regime,' defined as the junction between gameplay and visual representation that persists independently of hardware, and argue that hardware capability alone does not explain platform success or design trajectories.
- The degree of control a player holds over camera, framing, and depth is treated as a central analytical variable, and the creative process they call 'mise-en-image' describes how gameplay, vision, and graphical style are articulated together.