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The video game market in China experienced a significant surge in engagement and revenue during the first quarter of 2020, driven by widespread stay-at-home mandates during the COVID-19 pandemic. Total industry revenue for the quarter is estimated to have been approximately 30% higher than in the same period of 2019. This growth was characterized by increased mobile, PC, and console usage, as gamers sought entertainment and social connection during prolonged quarantine periods.

Key findings from an April 2020 survey of 1,057 Chinese gamers highlight the depth of this shift: 97.2% of respondents reported spending more time on mobile games, while 94.6% increased their time on PC titles. Spending also rose, with 81.6% of mobile gamers and 76.3% of PC gamers reporting higher expenditures during the lockdown. While major titles from publishers like Tencent and NetEase dominated the market, the period also saw a notable decline in the internet cafe sector, which was forced to close entirely. Survey data suggests a lasting impact on consumer behavior, as 57% of former internet cafe users indicated they do not intend to return to those venues once reopened.

The pandemic also forced a rapid evolution in industry operations, particularly within the esports and development sectors. Esports tournaments successfully migrated to online formats, supported by municipal government initiatives to reduce regulatory barriers. Conversely, game development and outsourcing studios faced productivity challenges, leading to project delays for some global titles. While the surge in home-based gaming provided a substantial revenue boost, the industry faced headwinds regarding hardware manufacturing, component scarcity, and a decline in advertising revenue for smaller, ad-supported titles. Overall, the period solidified gaming as a primary social and entertainment outlet for Chinese consumers, with many users reporting a newfound acceptance of gaming within their households.

The global digital games and interactive media industry experienced significant growth in 2020, with total revenue rising 12% year-over-year to $126.6 billion. This expansion was primarily driven by the COVID-19 pandemic, which forced consumers to remain at home and seek alternative forms of entertainment. As traditional leisure activities like professional sports and cinema were suspended, video games became a primary outlet for social interaction and entertainment, with 55% of U.S. residents reporting increased gaming activity as a direct result of the lockdowns.

Market performance was characterized by the dominance of free-to-play titles, which accounted for 78% of total digital revenue, largely fueled by mobile gaming in Asian markets. However, the premium games segment saw the most rapid growth, increasing by 28% as blockbuster releases like Animal Crossing: New Horizons and Call of Duty: Modern Warfare captured consumer spending. Gaming video content also emerged as a major pillar of the industry, reaching 1.2 billion viewers and generating $9.3 billion in revenue. Additionally, the virtual reality sector saw a 25% increase in game earnings, bolstered by the release of high-profile titles and the adoption of standalone headsets like the Oculus Quest 2.

The analysis relies on digital point-of-sale data from publishers, developers, and payment service providers, tracking the monthly spending of 195 million paying digital gamers worldwide. Findings indicate that while the initial surge in spending was tied to pandemic-related lockdowns, the long-term behavioral shifts in gaming habits are expected to persist. Looking ahead, the industry is projected to maintain its momentum, with ongoing trends including the consolidation of major publishers, the rise of subscription-based models, and the continued integration of mainstream brands and public figures into interactive digital spaces.

The study maps the structure and dynamics of the Czech video‑game industry as of 2020, highlighting its rapid export‑driven expansion and the strategic challenges it faces in talent development and public support. The sector comprises roughly 110 domestic development studios, of which only a small fraction are foreign branches, employing about 1,750 specialists. Turnover rose from CZK 2.26 billion in 2017 to over CZK 5 billion in 2020, equivalent to more than €190 million, reflecting an average annual growth rate of 29 % over the previous five years and an export share near 95 % to markets such as the United States, Germany and the United Kingdom. Revenue in 2019 already surpassed €169 million, outpacing the national film industry by a factor of three, and the market is projected to exceed €190 million in 2020.

The analysis of the publishing and distribution landscape shows a shift away from traditional full‑development financing toward a model where publishers act mainly as marketing and launch partners, while online platforms now dominate the transaction chain, reducing costs and marginalising physical distributors, of which only ten remain active in the country. Consumer data reveal an average gamer age of 33, a gender split of one‑third women, and annual spending of roughly CZK 4 billion, with a strong preference for story‑driven titles.

Human‑capital constraints emerge as a critical bottleneck: the industry confronts intense competition for skilled staff, a fragmented education pipeline, and limited visibility of creative industries within public policy. Unlike neighboring Poland and Germany, which allocate substantial public funds to game‑industry support, the Czech Republic offers virtually no dedicated subsidies for research, development or innovation, despite the sector’s outsized contribution to national exports. The findings suggest that sustained growth will depend on coordinated investment in education, clearer industry‑government linkages, and targeted public financing to bolster the sector’s competitive edge.

PC, CONSOLE AND MOBILE GAME DEVELOPERS IN CZECH REPUBLIC 2019 DEVELOPERS IN CZECH REPUBLIC 2019 This Study was prepared by the Institute for Digital Economy (www.digitalniekonomika.cz) in cooperation with the Czech Game Developers Association (www.gda.cz) with the support of Creative Europe – MEDIA (www.kreativnievropa.cz).

01 Gamer in Deutschland 6 02 Markt für Computer- und 12 .2 Umsätze mit virtuellen Gütern und Zusatzinhalten sowie Abonnements .3 Umsätze mit Gebühren für Online-Netzwerke 03 Games-Branche in Deutschland 22 .1 Beschäftigtenzahlen und Unternehmen .4 Die 10 Forderungen der Games-Branche 04 eSports 36 05 gamescom 40 06 Deutscher Computerspielpreis 42 07 Unterhaltungssof...

SYNDICAT NATIONAL DU JEU VIDÉO jeux pc et parasitisme 6 1.1 canaux d’exploitation officiels provoqué par le marché des jeux vidéo pc illicite par téléchargement 11 1.2 émergence et consolidation 23 1.3 agissements illégaux à la base développement du marché illicite efficacement contre le 30 2.1 tarir les sources marché illicite d’approvisionnement 33 2.2 permettre une meilleure distribution officiels et de leur Ce document est destiné à des plate...