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ANNUAL FINANCIAL REPORT AS OF 31 MARCH 2024 1. INTRODUCTION pages 3 to 6 2. DECLARATION BY THE CHIEF EXECUTIVE OFFICER page 7 3. MANAGEMENT REPORT pages 8 to 26 4. REPORT ON CORPORATE GOVERNANCE pages 27 to 38 ON THE CONSOLIDATED FINANCIAL STATEMENTS AS OF 31 MARCH 2024 pages 39 to 40 6.

RAPPORT FINANCIER SEMESTRIEL S1 2025/2026 1. ATTESTATION DE LA PERSONNE RESPONSABLE page 3 2. RAPPORT DE GESTION pages 4 à 10 3. RAPPORT D’EXAMEN LIMITÉ DES COMMISSAIRES AUX COMPTES SUR LES COMPTES CONSOLIDÉS SEMESTRIELS page 11 4.

Public limited company (Société Anonyme) with share capital of €168,018.74 Registered office: Parc du Pont de Flandre “Le Beauvaisis” 11 rue de Cambrai, 75019 Paris Paris Trade and Companies Register no. 504 161 902 MANAGEMENT REPORT ON THE CONSOLIDATED FINANCIAL STATEMENTS FOR THE SIX MONTHS ENDED JUNE 30, 2021 1._FIRSTHALF 2021 HIGHLIGHTS In view of the exceptional circumstances surrounding the coronavirus (Covid-19) health crisis and the ensuing government recommendations, DONTNOD ...

Ubisoft has initiated a major organizational and operational reset designed to reclaim creative leadership and restore sustainable growth in an increasingly selective AAA market. This strategic pivot addresses rising development costs and the competitive challenges of establishing new intellectual properties. The transformation is built upon three primary pillars: the implementation of a new operating model, a refocused game portfolio with a revised three-year roadmap, and a significant rightsizing of the global organization to improve agility and reduce fixed costs.

The new operating model decentralizes production into five distinct Creative Houses supported by a centralized Creative Network and Core Services. These houses are specialized by genre and business model, focusing on billionaire brands like Assassin’s Creed and Far Cry, competitive shooters such as Rainbow Six and Ghost Recon, live-service experiences, immersive narrative universes, and casual family-friendly titles. To support this focus, Ubisoft has discontinued six games—including the Prince of Persia: The Sands of Time remake and four unannounced titles—while allocating additional development time to seven other projects to ensure higher quality standards.

Financial restructuring is a critical component of this reset, with the company targeting a total reduction in fixed costs of approximately €500 million by March 2028 compared to FY23 levels. This includes the closure of studios in Halifax and Stockholm, alongside restructurings in Abu Dhabi, RedLynx, and Massive. For FY26, the group anticipates net bookings of approximately €1.5 billion and a non-IFRS EBIT loss of around €1 billion, largely due to a €650 million one-off accelerated depreciation from canceled and delayed titles. Moving forward, the group aims to reach a run-rate fixed cost base of €1.25 billion by 2028, prioritizing robust cash generation and a more disciplined approach to capital allocation.

The French video game market has reached a historic peak in engagement, with 40.2 million individuals—representing 66% of the national population—identifying as players. The demographic profile of the average gamer has stabilized at 40 years old, characterized by near gender parity. Notably, women now constitute a 55% majority within the 16-30 age bracket, while the senior segment has expanded to 5.4 million participants. This broad adoption is accompanied by an increase in weekly playtime to nearly eight hours, driven largely by a preference for social and multiplayer experiences. Approximately 86% of players utilize multiplayer modes, and 60% report forming direct friendships through gaming, illustrating the medium's role as a primary driver of social cohesion across generations.

Professional interest in the sector is also rising, particularly among young adults, over a third of whom have considered industry careers. This cultural integration is supported by a robust regulatory and educational framework. Parental involvement is high, with 67% of parents actively monitoring their children’s gaming habits and 95% expressing awareness of parental control systems. The PEGI classification system remains the cornerstone of consumer protection, utilizing independent verification bodies to ensure content appropriateness across more than 35,000 titles. This system facilitates informed purchasing decisions and maintains safety standards for the nation's "digital native" demographics.

The industry’s operational landscape is anchored by the Syndicat des Éditeurs de Logiciels de Loisirs (SELL), which represents major publishers and manages significant cultural milestones such as Paris Games Week. Beyond market intelligence and event organization, the sector emphasizes social responsibility through initiatives like PédagoJeux and various inclusion-focused partnerships. These efforts ensure that the French gaming ecosystem remains both economically vibrant and socially responsible, balancing rapid growth with a commitment to player safety and diversity.

Mobile games: state of the market & playtime Joint report of Apptica & Gamelight The purpose of this study is to analyse the state of gaming category in Q3 2023. All data presented in this report has been collected from Apptica and Gamelight platforms. "Games" category is defined by a store's tag. The basis of this analysis is made up of data from the Apptica's Store, Ad and Market Intelligence sections and Gamelight's playtime and app usage data.

The guide presents a comprehensive overview of the French video‑game ecosystem in 2023, emphasizing the need for responsible consumption and the protection of minors. It argues that widespread digital engagement—now a daily habit for two‑thirds of adults and more than half of teenagers—requires coordinated action from industry, parents, and public authorities to ensure safe and balanced play.

Survey data collected from the SELL‑GSD/GameTrack panels at the end of 2021 reveal that 70 % of French residents play video games at least occasionally, with 53 % doing so regularly. Daily play is reported by 68 % of adults and 52 % of children aged 10‑17, while 95 % of parents are aware of parental‑control tools; only 44 % actually use them, and 51 % know of them without applying them. Parental involvement varies: 13 % supervise every session, 22 % select titles, 25 % advise against certain games, and 40 % allow autonomous play without consent. Moreover, 64 % of parents admit to playing with their children at least occasionally, highlighting the family‑oriented dimension of gaming.

The market analysis shows a split between physical and digital sales, with physical units representing 34 % of volume and 40 % of value, while digital formats account for the remainder. PEGI age‑rating labels dominate purchase decisions, being consulted by 67 % of adult buyers and 64 % of parents, and the system’s classification process involves independent bodies (NICAM and VSC) to certify titles across the Pan‑European market.

The publication also details the functionality of console‑based parental‑control systems, online interaction moderation tools, and the educational outreach conducted by the SELL and its partner network PédaGoJeux. Campaigns such as Safer Internet Day and a series of PEGI‑focused awareness drives illustrate the sector’s proactive stance on fostering a safer, more informed gaming environment for all French users.

The 2023 annual survey of the French video game industry provides a comprehensive analysis of the sector’s economic health, production trends, and workforce dynamics during 2022. Conducted by the Syndicat National du Jeu Vidéo (SNJV) between February and June 2023, the study relies on a self-administered online questionnaire sent to 577 qualified development companies, achieving a 23% participation rate. The scope covers approximately 1,000 companies across France, including 580 development studios, with a significant concentration of 44.6% located in the Île-de-France region.

Findings indicate a robust but maturing production landscape, with nearly 1,260 games in development and over 850 new intellectual properties created. While the number of games in production fell by 7% compared to 2020, the industry saw a rise in professionalization, with 62% of studios working with publishers. Financial growth is evident, as 27% of studios now generate over 1 million euros in revenue, a 9-point increase from 2020. However, the sector remains dominated by smaller entities, with 55% of companies earning less than 300,000 euros annually. Despite this growth, optimism has tempered; only 28.6% of respondents expect revenue growth in the coming year, compared to 66% in 2020.

Employment remains stable with 76% of staff on permanent contracts, though gender diversity shows slow progress, with women making up 24% of the workforce. The industry is also navigating structural shifts in work culture, as 33% of companies have adopted full-time remote work. Corporate Social Responsibility is emerging as a priority, with 65.5% of companies implementing gender equality actions and nearly half planning carbon footprint assessments. France remains highly attractive to 85% of studios, primarily due to tax incentives and the quality of specialized training.

France represents a significant gaming market, ranking seventh globally in terms of revenue and fifteenth in total player count as of 2022. The French gaming population is highly engaged, with 71% of the online population aged 10 to 65 identifying as game enthusiasts. While 38% of this group only plays games, a substantial 34% also views gaming video content, and 15% are classified as esports enthusiasts who watch professional competitive gaming at least once a month.

The demographic profile of French players is nearly balanced by gender, consisting of 52% men and 48% women. The largest age cohort is the 21-35 bracket, representing 31% of the player base. In terms of behavior, Time Fillers and Mainstream Gamers are the most common personas. Time Fillers use games primarily to pass the time and show less interest in viewing content, whereas Mainstream Gamers are deeply invested in both playing and watching gaming media. Mobile is the most popular platform, utilized by 44% of the online population, followed by console at 41% and PC at 30%. Despite mobile's reach, PC players record the highest average weekly playtime at four hours and forty minutes.

Monetization data indicates that 56% of French players are payers, driven primarily by value-based incentives such as sales or special offers. Other significant spending motivators include unlocking exclusive content and the desire to play with friends or family, underscoring the social nature of the market. This analysis is based on a 2022 survey of 2,080 online consumers in France, part of a broader global study covering 36 markets and over 75,000 respondents.

The 2021 Annual Barometer of the Video Game Industry in France provides a comprehensive analysis of the sector’s economic health, employment trends, and production landscape. Conducted between May and June 2021 through an online survey of 1,200 qualified entities, the research captures a representative snapshot of the French video game ecosystem, which is primarily composed of development studios, publishers, and service providers. The study highlights the industry's resilience and growth despite the challenges posed by the global health crisis.

Key findings indicate that the French video game sector remains highly productive, with approximately 1,350 games in development during 2021, 92% of which are original creations. The industry is characterized by a strong focus on independent production, with 77% of studios identifying as indie developers. Financially, while the sector shows promise—with 20% of studios reporting annual revenues exceeding €1 million—the landscape remains fragile, as 36.5% of studios reported a deficit in 2020, the highest level since 2014. Despite this, the industry maintains a positive outlook, with 89% of respondents expressing confidence in their company’s future and 94% remaining optimistic about the broader French video game market.

Employment remains a cornerstone of the industry, which continues to prioritize permanent contracts, with 80% of salaried positions held as CDI. The workforce is increasingly diverse, with female representation reaching 22%. Furthermore, the sector benefits from robust institutional support, as 41% of companies utilize regional funding and many rely on the national video game tax credit. France is currently ranked as the second most attractive country for video game development globally, trailing only the United States, reflecting the sector's strong international standing and continued potential for expansion.

The 2020 Annual Barometer of the Video Game Industry in France provides a comprehensive analysis of the sector’s economic health, production landscape, and educational ecosystem. Based on a survey of 1,131 industry structures conducted between June and September 2019, the report highlights a robust industry characterized by steady growth, strong entrepreneurial spirit, and significant international reach. The findings underscore France's position as a highly attractive hub for video game development, ranking second globally behind the United States.

Key findings reveal that the industry is heavily focused on production, with half of all sector entities operating as development studios. These studios demonstrate a strong commitment to independence, with 93% identifying as independent and 74% actively creating original intellectual properties. Production remains largely centered on PC platforms, though mobile and console markets remain vital. Financially, the sector relies heavily on self-financing, supplemented by public support mechanisms such as the Video Game Tax Credit (CIJV) and regional aids. Despite this, access to traditional bank credit remains a challenge for many studios.

The report also details a positive outlook for employment, noting a trend toward stable, qualified, and permanent positions, with significant hiring intentions for the coming year. The educational sector is identified as a critical pillar of this growth, with 40 surveyed institutions training a growing pipeline of talent across design, technology, and management roles. While the industry shows resilience and optimism, it faces ongoing industrial transitions, including the rise of cloud gaming, immersive technologies, and new distribution models. Overall, the sector maintains a strong export orientation, with 44% of studio revenue generated internationally, reinforcing the strategic importance of the French video game industry within the global market.

The French video game industry demonstrates robust entrepreneurial momentum and a strong focus on production, characterized by a diverse ecosystem of over 1,130 establishments. The sector is primarily composed of development studios, which account for 50% of industry entities, followed by service and technology providers at 42%, publishers at 6%, and distributors at 2%. This landscape is marked by a youthful demographic, with 19% of development studios having been established within the last five years, while another 19% have operated for over a decade.

Production output remains stable, with 530 titles marketed in 2019 and a significant pipeline of projects in development. Notably, 63% of these titles are based on new intellectual properties, reflecting a strong commitment to original content. Employment trends are equally positive, with 75% of employees working under permanent contracts. The industry is actively expanding, with projections indicating the creation of 800 to 1,200 new jobs by the end of 2019. Despite this growth, gender diversity remains a challenge, as women and non-binary individuals comprise only 16% of the workforce, with women holding just 11% of management roles.

The findings are based on a comprehensive survey conducted between June and September 2019, targeting 1,131 industry entities, including both members and non-members of the French Video Game Trade Association. The data highlights a strong educational pipeline, with a 26% growth in student enrollment and a high placement rate, as one in two graduates secures employment within the video game sector within a year. These metrics underscore the industry's role as a vital economic engine, supported by a specialized talent pool and a clear focus on sustainable, long-term production.

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Le Règlement général pour la protection des données (RGPD) constitue le texte de référence en matière de protection des données personnelles au sein de l’Union Européenne. Les principaux objectifs du RGPD sont d'accroître à la fois la protection des personnes concernées par un traitement de leurs données à caractère personnel et la responsabilisation des acteurs de ce traitement.

The 2018 Annual Barometer of the Video Game Industry in France provides a comprehensive analysis of the French gaming sector’s economic health, employment trends, and production landscape. Produced through a collaboration between the Syndicat National du Jeu Vidéo (SNJV) and IDATE DigiWorld, the study aims to capture the industry's current activity levels and future outlook. The methodology involved an online survey conducted between June and August 2018, targeting both SNJV members and non-member companies, including development studios, publishers, and service providers.

Key findings reveal a dynamic and predominantly independent industry, with 93% of studios identifying as independent. The sector is characterized by a strong entrepreneurial spirit, as 56% of development studios are less than five years old. Production remains robust, with 1,200 games in development during 2018, two-thirds of which represent new intellectual properties. Studios show a clear preference for PC development, followed by mobile and console platforms. Financially, the industry relies heavily on self-financing, though there is a growing reliance on public support mechanisms, with 62% of studios utilizing regional, national, or European aid.

Employment in the sector is marked by high qualification levels and steady growth. In 2018, the industry supported an average of 9.5 full-time equivalent employees per studio, with 86% of these roles held under permanent contracts. Projections indicate the creation of 650 to 850 new jobs annually, reflecting a positive outlook. Industry leaders express significant confidence in both their individual companies and the broader French gaming ecosystem, with 76% of respondents viewing France as an attractive territory for video game production. The report concludes that the industry is increasingly export-oriented, with 40% of studio revenue generated internationally.

SYNDICAT NATIONAL DU JEU VIDÉO jeux pc et parasitisme 6 1.1 canaux d’exploitation officiels provoqué par le marché des jeux vidéo pc illicite par téléchargement 11 1.2 émergence et consolidation 23 1.3 agissements illégaux à la base développement du marché illicite efficacement contre le 30 2.1 tarir les sources marché illicite d’approvisionnement 33 2.2 permettre une meilleure distribution officiels et de leur Ce document est destiné à des plate...