Country & Regional Reports·Updated Mar 17, 2026 by Neogames Finland
Report · January 1, 2020
Published by Neogames Finland
The Finnish game industry solidified its position as a cornerstone of the national economy in 2020, maintaining a turnover exceeding €2 billion for the sixth consecutive year. Despite a slight contraction in the total number of active studios to approximately 200, the sector experienced a maturation phase characterized by increased revenue stability and a rise in high-performing firms. With 46 studios now generating over €1 million annually and a collective net profit surpassing €500 million, the industry demonstrated remarkable resilience against the operational disruptions of the COVID-19 pandemic. This economic strength is supported by a workforce of 3,600 professionals, with a persistent demand for hundreds of additional hires, reflecting a healthy, expanding ecosystem. The industry is currently undergoing a strategic transformation driven by technological shifts toward cloud gaming, artificial intelligence, and Games as a Service models. While developers benefit from a robust network of public funding, private investment, and professional associations, they face mounting pressures from market consolidation, rising user acquisition costs, and regulatory fragmentation. To remain competitive in a saturated global market, Finnish studios are increasingly prioritizing data-driven design, social integration, and the development of strong intellectual property. This shift is accompanied by a positive trend in workforce diversification, with female representation reaching 22 percent. The Finnish landscape remains defined by a diverse array of entities, ranging from global mobile giants like Supercell and Rovio to specialized indie developers and B2B service providers. These companies successfully balance creative autonomy with sustainable business practices, leveraging both original IP and work-for-hire models. By integrating emerging roles such as content creators and streamers into the development lifecycle, the industry continues to evolve, ensuring that Finnish studios maintain their significant footprint in the global digital entertainment market through innovation in mobile, console, and emerging technology platforms.
Front cover pictures: Fingersoft \\ Hill Climb Racing Futureplay \\ Merge Gardens Housemarque \\ Returnal Metacore \\ Merge Mansion Remedy Entertainment \\ Control Rovio Entertainment \\ Angry Birds Seriously Digital Entertainment \\ Best Fiends Small Giant Games \\ Empires & Puzzles Supercell \\ Brawl Stars Supercell II Brawl Stars Picture: Nolla Games \\ Noita
4 \\ Introduction 7 \\ The History of the Finnish Game Industry - From Telmac to Stock Markets 16 \\ The State of the Finnish Game Industry 20 \\ Studios 22 \\ Location of Companies and Clusters 24 \\ Platforms 26 \\ Developers & Diversity 30 \\ Financial Outlook 32 \\ Impacts of COVID-19 38 \\ Financial Support and Funding 42 \\ Strengths and Challenges 46 \\ es Game Industry Support Organizations 46 \\ Lessons Learned – Visions of the Future 62 \\ Studio Profiles ons of the Future Picture: Redhill Games \\ Nine to Five 3
ABOUT THIS REPORT the spark of creativity carried out from October which helped to start 2020 to February 2021 ■ In 2020 the Finnish the industry is still and augmented by data Game Industry celebrated burning bright. Despite from other sources. This its 25th anniversary. the financial success‚ the study is a continuation of The two oldest studios‚ Finnish Game Industry similar studies conducted Housemarque and has not stagnated. in 2004‚ 2008‚ 2010‚ 2012‚ Remedy‚ turned 25 years Creativity and passion for 2014‚ 2016 and 2018. old and the founding making good games are Altogether 70 game of those studios marks still very much present. companies‚ members of the starting point of the This publication Suomen Pelinkehittäjät Finnish Game Industry as aims to provide a ry (Finnish Game we know it today. During holistic overview of the Developers Association)‚ those 25 years many Finnish Game Industry are introduced in the things have changed and in 2020. The data and Studio Profiles section‚ as the Finnish Game Industry information presented well as the most relevant has transformed from a in the following pages is game support industry hobby for recreational based on interviewing 134 organizations. enthusiasts to the biggest key studios from about We wish to thank cultural export industry 200 game developers in everyone who has in Finland. However‚ Finland. Interviews were participated in this
process. Special thanks to Suomen Pelinkehittäjät ry (Finnish Game Developers Association)‚ Business Finland‚ City of Helsinki and all the interviewed game studios for their support. TEAM NEOGAMES KooPee Hiltunen Suvi Latva J-P Kaleva Elina Tyynelä Picture: Cornfox & Brothers \\ Oceanhorn 2 5
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The History of the Finnish Game The first game to be distributed Industry - From Telmac to Stock internationally was Sanxion‚ which Markets debuted in 1986. 1979 to 1986 - The Beginning FROM FINLAND TO THE INTERNATIONAL MARKET The first known Finnish digital game was released as early as 1979: Chesmac‚ a chess game designed by Raimo Suonio. However‚ serious game development efforts did not begin until home computers gained popularity in the beginning of the following decade. At first‚ game development was mostly a hobby‚ but in the mid-1980s‚ developers released the first commercial games. These early game releases targeted the domestic market. 1987 to 1995 - Professionalism FROM INDIVIDUAL DEVELOPERS TO GAME DEVELOPMENT TEAMS Up until the early 1980s‚ games were typically innovations led by a single developer. However‚ towards the end of the decade‚ game developers begun to cooperate‚ giving rise to the first game development teams. A major boost came from game developer events‚ including the notable Assembly‚ which was first organised in 1992 and continues to date. These gaming teams‚ i.e.‚ demo groups‚ also gave rise to the first Finnish game studios. Picture: Sulake \\ Habbo Hotel 7
The Finnish game industry has transitioned from a hobbyist niche into the nation’s largest cultural export, maintaining an annual turnover exceeding €2 billion for six consecutive years. By 2020, the sector reached a turnover of €2.4 billion, driven by a maturing "middle class" of 46 studios generating over €1 million in annual revenue. While the total number of active studios decreased to approximately 200 due to global competition and regional funding shifts, employment reached a record 3,600 professionals. The industry demonstrates increased stability through a decreasing reliance on its largest player, Supercell, whose share of total turnover fell to 54% as other studios scaled. Geographically, the industry remains highly concentrated in the Capital Region, which accounts for 96% of turnover and nearly 80% of the workforce. However, vital regional hubs in Tampere, Oulu, and Turku provide specialized support through incubators and university programs. While mobile gaming remains the dominant sector—anchored by global giants like Rovio and Fingersoft—there is a notable shift toward a "post-mobile" era. This evolution is defined by growth in multiplatform console and PC development, led by studios such as Remedy Entertainment and Housemarque, as well as emerging interests in cloud gaming, the metaverse, and AI integration. The ecosystem is supported by a robust infrastructure, including over €150 million in R&D funding from Business Finland and a proactive private investment climate that attracted over €100 million between 2019 and 2020. Despite this strength, the industry faces challenges such as a global shortage of senior talent, increased protectionism in foreign markets, and platform volatility. Future growth is expected to stem from strong intellectual property, significant M&A activity, and a commitment to workforce diversity and social responsibility. The industry remains a resilient economic driver, characterized by high professional organization and a collaborative culture that sustains its status as a premier global hub for game development.
Fingersoft • Ηill Climb Racing 2 Futureplay • Battlelands Royale Next Games • Τhe Walking Dead: Our World Rovio Εntertainment • Angry Birds 2 Small Giant Games • Εmpires & Puzzles Supercell • Brawl Stars, Clash Royale, Clash of Clans and Ηay Day Remedy Εntertainment • Control Rival Games • Τhief of Τhieves: Season One Superplus Games • Ηills of Steel Nitro Games • Ηeroes of Warland Κukouri Mobile Εntertainment • Pixel Worlds Publisher Neogames Finland ry (2019) 2.
The Finnish game industry established itself as a premier global hub between 2021 and 2022, maintaining a record annual turnover of €3.2 billion. This performance places Finland among the top five national game industries in Europe. Despite a shift toward the "games-as-a-service" model and macroeconomic headwinds that reduced the frequency of new game launches, the sector experienced a surge in startup activity and employment. By late 2022, the industry supported 232 active studios and approximately 4,100 employees, characterized by a highly international workforce and a stable presence of female professionals. While mobile remains the dominant platform by revenue, there is a significant strategic pivot toward PC and multiplatform development, with 64% of studios now targeting the PC market. This evolution is supported by a sophisticated funding ecosystem that includes over €300 million in private investment and substantial public R&D support from Business Finland. The industry’s maturity is further evidenced by high-profile acquisitions from global giants such as Sony, Netflix, and Playtika, alongside the continued success of established leaders like Supercell, Rovio, and Remedy Entertainment. The ecosystem is anchored in Helsinki, which accounts for the vast majority of turnover and employment, but it also benefits from thriving regional clusters in Tampere, Oulu, and Kajaani. These hubs specialize in diverse technologies ranging from VR and Web3 to simulation and narrative-driven titles. Despite challenges such as rising marketing costs due to privacy changes and a persistent talent shortage, the industry remains resilient through robust institutional support from organizations like Neogames and Suomen Pelinkehittäjät ry. This collaborative infrastructure, combined with a focus on original intellectual property and emerging technologies like Creative AI, ensures Finland’s continued influence on the global gaming landscape.
The 2024 overview of Finland’s game sector presents a comprehensive assessment of an industry that remains a global technology leader while confronting a tightening financing environment. Employment reached roughly 4,300 individuals, equivalent to about 3,800 full‑time positions, underscoring the sector’s significance within the national economy. However, a pronounced drop in private risk capital and publisher backing has pushed many studios toward B2B subcontracting, co‑development agreements, and an expanding reliance on European Union and national public R&D programmes, especially after recent reductions in regional funding streams. Talent depth continues to drive innovation, with Finnish teams at the forefront of AI‑assisted development, proprietary engines, and cloud‑gaming solutions. Persistent shortages of senior developers and specialists in Unreal Engine, together with increasing regulatory complexity and geopolitical uncertainty, pose constraints on future growth. New public R&D instruments and targeted regional SME support aim to mitigate these pressures and sustain the ecosystem’s dynamism. Geographically, the industry is anchored by a network of regional hubs, notably Jyväskylä’s EXPA, which serves as a northern innovation cluster. The ecosystem is highly diversified, ranging from global powerhouses such as Supercell—employing over 800 staff and delivering seven worldwide hit titles—to agile indie studios like Snowhound, which hosts more than 120 employees from over twenty nationalities, and niche ventures such as Soihtu DTx, which secured a $4.2 million seed round for a clinically validated mental‑health game. Across the board, firms are expanding into cross‑platform and co‑development projects, exemplified by collaborations between Ubisoft RedLynx and Zaibatsu Interactive, reflecting a broader trend toward collaborative, multi‑disciplinary production.