Hamburg Kreativ Gesellschaft

Gamecity Hamburg organized an online game jam as part of the PLAY20 Festival, held from November 6 to November 8, 2020. The primary purpose of the event was to foster community engagement among individuals interested in game development, providing a collaborative platform for both solo participants and teams to create and showcase new projects.

The event utilized a digital-first approach, coordinating participants through a dedicated Discord server to facilitate team formation and communication. The development window spanned approximately 45 hours, concluding with a showcase where a selection of the best submissions were featured in a live stream hosted by Twitch streamer OddNina. While the jam was non-competitive and offered no formal awards, it emphasized the importance of community visibility and networking within the industry.

Participation requirements included developing games compatible with Windows PC and submitting them via the itch.io platform. While the event encouraged the creation of original content during the jam, participants were permitted to utilize pre-existing assets provided they held the necessary usage rights. The initiative was supported by several industry partners, including Games Germany, HH Indie Treff e.V., and the Indie Game Fest, highlighting a collaborative effort to support the regional and broader indie game development ecosystem.

The development of the video game Jonah Weingarten’s Ninja Brigade highlights the collaborative efforts of an emerging independent studio based in Hamburg, Germany. The project, which originated from a partnership between developer Nico Plötz and composer Jonah Weingarten, serves as a case study for the Games Lift Incubator program. The game is a nostalgic metroidvania that integrates 80s-inspired retro-wave music with a feudal Japan-themed setting, aiming to balance classic exploration mechanics with reactive, pattern-based combat.

The development team consists of four members, all of whom are students or alumni of the SAE Institute Hamburg. By focusing on a well-rounded, hand-designed world rather than procedurally generated content, the team intends to deliver a polished experience within a controlled scope. As of October 2020, the project was nearing its alpha phase, with the team preparing for a milestone pitch within the incubator program.

The project demonstrates a commitment to modernizing retro aesthetics, utilizing a rich color palette and visual effects that exceed the technical limitations of 1980s hardware. The team’s development timeline projected a beta release by the end of 2020, with a full commercial launch targeted for the second quarter of 2021. This initiative underscores the role of local support programs in fostering professional game development and networking among early-career developers in the Hamburg region.

The development of the virtual reality game Crumbling, led by Ole Jürgensen and technical artist Leonie Brosz, represents an effort to address the physical exhaustion and immersion challenges common in contemporary VR gaming. By shifting the player's perspective from a first-person viewpoint to an overhead, diorama-style interface, the developers aim to create a more intuitive experience where players interact with characters as if they were physical action figures. This design philosophy seeks to maintain high-intensity, action-oriented gameplay—drawing inspiration from the roguelike genre—without the fatigue associated with traditional VR movement.

The project is currently part of the Games Lift Incubator in Hamburg, Germany, a program designed to support emerging game developers through mentorship, financial planning, and marketing strategy. The development team utilizes a highly stylized visual aesthetic for their characters, which allows for modular customization and efficient asset creation. This approach is intended to help the title stand out within the competitive VR market, specifically targeting distribution on platforms like the Oculus Quest store.

While the VR sector remains a niche segment of the broader gaming industry, the developers view the medium's limited saturation as an opportunity for innovative, high-quality titles to achieve commercial success. As of late 2020, the team is focused on refining the game's combat mechanics and technical performance in preparation for milestone pitches. The project serves as a case study for how independent developers are leveraging regional incubator support to navigate the technical and financial complexities of the virtual reality landscape.

The Games Lift Incubator 2020, an initiative by Gamecity Hamburg, reached its midpoint in October 2020, marked by a milestone pitch session where five participating indie development teams presented their progress to industry mentors and an awarding committee. The primary purpose of this event was to evaluate the development trajectory of the projects, provide critical feedback, and ensure teams remain on track for their final presentations in December. The program focuses on supporting small studios by providing professional coaching, marketing guidance, and technical mentorship to help them navigate the challenges of game production and business development.

The participating teams—Curvature Games, Project Crumbling, OneManOnMars, Ninja Brigade, and Alchymia—demonstrated significant advancements in visual design, gameplay mechanics, and project management. Notable highlights included innovative pitch techniques, such as an in-game presentation for Leif’s Adventure, and the refinement of core gameplay loops for titles like Alchymia. Mentors from organizations such as Niantic, Raw Fury, and KING Art provided targeted advice on topics ranging from visual style consistency and crowdfunding strategies to effective kanban-style project management.

The incubator addresses common industry hurdles for indie developers, specifically the transition from creative concept to sustainable business. A central theme of the program is the emphasis on community building, public relations, and investor readiness. By providing individual coaching from specialized PR agencies, the incubator aims to bridge the gap between technical development and market viability. As the teams move into the second half of the program, the focus remains on finalizing demos and vertical slices, with some projects targeting release windows in the following year. The initiative underscores the importance of structured mentorship in accelerating the development cycles of independent game studios.

Alchymia is an indie simulation game currently in development by solo creator Julia Reberg, designed to emphasize the discovery and experimentation inherent in alchemy. The project is part of the 2020 Games Lift Incubator program in Hamburg, Germany. The core thesis of the game is to provide a condensed, highly replayable experience that avoids the "optimization" trap often found in complex strategy titles, where players rely on external wikis rather than personal exploration.

The gameplay centers on a turn-based loop where players purchase ingredients, manage expeditions, and experiment with preparation methods—such as cooking or grinding—to create potions and powders with unique effects. To ensure high replayability and prevent static optimization, the game features procedurally generated resources for every session. A central "zombie timer" mechanic serves as a narrative and mechanical pressure point, forcing players to complete their Magnum Opus within a limited timeframe to avoid a game-over scenario.

By distilling complex simulation mechanics into a focused, short-form experience, the developer aims to solve the common issue of player fatigue in long-form strategy games. The project is currently in the prototype phase, utilizing a design philosophy that prioritizes intuitive, essentialized systems over exhaustive complexity. By limiting the scope of the game, the developer intends to foster a sense of wonder and discovery, ensuring that the act of research remains the primary source of engagement for the player.

The development of the side-scrolling action-adventure game Leif’s Adventure serves as a case study for independent game creation within the Hamburg, Germany, ecosystem. The project highlights the transition of a veteran industry illustrator into a solo developer, driven by a desire to create a title that resonates with personal nostalgia for classic console gaming. By leveraging the Unity engine and a network of freelance support, the developer successfully navigated the technical challenges of solo production while maintaining a distinct, hand-illustrated aesthetic.

The development process was characterized by an iterative approach, prioritizing user feedback gathered through public trade fairs and playtesting. A key design feature that emerged during this period is the game’s asymmetric cooperative mode, which allows players of varying skill levels to engage with the content simultaneously. This mechanic, which evolved organically rather than through rigid market research, underscores the project's focus on accessibility and shared experience.

As part of the 2020 Games Lift Incubator program in Hamburg, the project reached a significant milestone by demonstrating both technical progress and a strategic approach to public relations. The developer utilized an interactive, custom-built level to present the game’s status, signaling a shift from the core development phase toward marketing and audience acquisition. The project illustrates the broader goals of the Games Lift initiative, which aims to support independent developers in refining their creative visions and preparing for commercial viability within the competitive global games market.

The Amusement, a virtual reality project developed by the Hamburg-based studio Curvature Games, aims to shift the focus of VR gaming from mechanical gameplay hooks to deep, narrative-driven experiences. By positioning itself as a story-centric walking simulator, the project seeks to establish a new standard for immersion in the medium. The game is set in a 1920s-era abandoned amusement park on a North Sea island, utilizing a historical backdrop that incorporates elements of the Great Depression and the First World War to ground its fictional narrative.

The project is distinguished by its use of redirected walking technology, a research-backed method developed by founder Dr. Eike Langbehn. This technical innovation allows players to navigate expansive virtual environments within a physical space as small as two by two meters. By subtly manipulating the player’s perception through curved paths and rotating world geometry, the developers enable natural, physical movement, which serves to eliminate the immersion-breaking effects often associated with traditional joystick or teleportation-based locomotion in VR.

Curvature Games, a team of three founders supported by five additional staff members, is currently developing the title for the Oculus Quest platform. The project represents a significant effort to demonstrate that VR can support complex, character-focused storytelling rather than relying solely on technical novelty. By prioritizing narrative depth and naturalistic movement, the studio intends to challenge existing industry conventions and provide a more authentic sense of presence for the player.

The Games Lift Incubator, an initiative by Gamecity Hamburg, provides strategic public relations training to independent game developers to help them navigate the complexities of game marketing. The program focuses on equipping small teams with the expertise to manage limited budgets and tight schedules effectively. By facilitating workshops with industry veterans from the PR agency Plan of Attack, the incubator aims to professionalize the promotional efforts of emerging developers through direct mentorship and long-term guidance.

Key findings emphasize that effective PR requires a proactive, fluid communication strategy that begins at least six months before a game's release. Experts advocate for a transparent approach to community building and stress the importance of identifying a project’s unique selling points early in development. Technical advice includes adhering to the KISS principle when pitching to media, ensuring press materials are visually compelling, and timing outreach to align with the working hours of journalists and influencers. Furthermore, the program highlights the necessity of localized marketing, noting that significant portions of global gaming audiences may not be English-proficient.

The methodology involves a combination of exhaustive group workshops and personalized, project-specific coaching sessions. This approach allows developers to receive tailored feedback on their individual roadmaps, such as advice on visual identity development and the strategic allocation of PR resources. By providing a flexible time budget for continued consultation beyond the formal incubator period, the program ensures that teams receive sustained support throughout their development cycles. These insights serve as a practical framework for indie studios seeking to improve their market visibility and community engagement.

The PLAY20 Game Jam, hosted by Gamecity Hamburg in November 2020, served as a collaborative creative event held in conjunction with the PLAY20 Creative Gaming Festival. The primary purpose of the initiative was to foster international game development through a time-constrained challenge, encouraging participants to interpret the theme of Exploring Borders through various mechanical and narrative lenses.

The event successfully engaged over 100 participants from across the globe, who worked over a 45-hour period to produce 26 distinct game titles. These projects explored the theme of borders through diverse interpretations, ranging from literal, tactile boundaries within gameplay to more abstract concepts involving the intersection of perception, reality, sleep, the human psyche, and moral dilemmas.

The scope of the event was international, drawing a diverse pool of developers to contribute to the digital game industry. The results of the jam were made publicly accessible via the Gamecity Hamburg itch.io platform, with selected highlights showcased through external streaming media. This initiative reflects the broader organizational commitment of Gamecity Hamburg to support game development through community-driven events, incubation programs, and industry networking.

The Hamburg Kreativ Gesellschaft, a municipal institution dedicated to advancing the creative industries in Hamburg, Germany, is seeking a PR and Communications Manager to support its location initiative, Gamecity Hamburg. The primary objective of this role is to enhance the visibility of the organization’s service portfolio and expand international location marketing for the Hamburg games industry. The position is offered on a full-time or part-time basis with an initial one-year contract.

The successful candidate will be responsible for developing and implementing strategic communication measures, managing media relations, and overseeing marketing campaigns across various digital platforms, including Discord, LinkedIn, and Twitch. Key duties include content creation in both German and English, coordinating with external PR agencies, and establishing key performance indicators to evaluate communication success. The role requires a candidate with a university degree or significant professional experience, strong networking capabilities, and familiarity with major industry events such as gamescom and the Game Developers Conference.

As the largest creative industry promotion entity in Germany, the Hamburg Kreativ Gesellschaft manages several initiatives, including Gamecity Hamburg, which oversees local programs such as the Games Lift Incubator and prototype funding. By recruiting this dedicated communications professional, the organization aims to further strengthen its role in connecting the local games ecosystem, supporting startups, and fostering cross-industry cooperation within the region.

Gamecity Hamburg, a location initiative funded by the City of Hamburg and managed by Hamburg Kreativ Gesellschaft, issued a recruitment notice for a working student to join its communications department. The primary objective of this role is to bolster the visibility of the organization’s service portfolio and expand international marketing efforts for the Hamburg games industry. The position requires a 16-hour weekly commitment, focusing on social media management, editorial support, content creation, and event coordination.

The initiative serves as a central hub for the regional games ecosystem, overseeing programs such as the Hamburg Prototype Funding and the Games Lift Incubator. The ideal candidate is expected to possess a background in communication, media, or games-related studies, along with practical experience in strategic communication planning and proficiency in both German and English. The role offers a collaborative environment with opportunities to engage with various industry stakeholders, startups, and public institutions.

This recruitment effort reflects the ongoing commitment of Gamecity Hamburg to support and promote one of Europe’s leading games industry hubs. By integrating a dedicated student into its communications team, the organization aims to enhance its digital presence across platforms including Discord, LinkedIn, and Twitch, while facilitating the planning of both online and in-person industry events. The initiative emphasizes a flexible, creative work environment designed to foster professional growth within the local games sector.