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Development & Publishing

Development & Publishing

Making and shipping games: design, engines, QA and publishing deals.

375 documents

Cover of Impact of Cloud Gaming and Other Trends in the Indie Ecosystem: Spain

AEVI · 2019

Impact of Cloud Gaming and Other Trends in the Indie Ecosystem: Spain

The analysis evaluates how cloud‑gaming and emerging distribution models are reshaping the Spanish indie game ecosystem, arguing that while the broader gaming audience is expanding across new platforms and financing structures, cloud‑gaming remains experimental and will not achieve mass‑market penetration for several years due to bandwidth constraints and uneven consumer readiness. Console users, especially those who are price‑sensitive and less tied to a single PC ecosystem, are identified as the most promising segment for indie titles delivered via cloud, with subscription‑or‑free‑to‑play (GaaS) approaches offering the strongest revenue potential. Current platform data show PlayStation Now operating in 19 high‑speed‑Internet markets and reaching more than 79 million PS4 owners—approximately 0.6 % of the console base—yet its relatively high subscription fee and overlap with PS Plus dilute its attractiveness. Google Stadia leverages extensive data‑center and AI resources, providing a free tier alongside a €9.99‑per‑month option, illustrating divergent pricing strategies within the nascent market. Strategic recommendations for indie studios emphasize hybrid monetisation that combines subscriptions with direct sales, targeting latency‑tolerant mid‑core audiences, including a growing female demographic. Development pipelines should prioritise engines with broad cross‑platform support, notably Unreal for versatility and Unity for seamless Stadia integration, while adopting low‑cost, high‑quality marketing to compensate for the reduced role of traditional publishers. Cloud‑gaming’s principal advantage lies in creating a more level playing field, granting indie developers visibility and access to users lacking high‑end hardware, thereby expanding market reach in Spain and comparable European territories over the coming three to five years.

Cover of NetEase Games Strategy: 2019

Niko Partners · 2019

NetEase Games Strategy: 2019

NetEase is executing a strategic transition from a domestic-focused MMORPG developer to a global entertainment powerhouse. By diversifying its portfolio across multiple genres and expanding into international markets, the company aims to mitigate the risks associated with slowing growth in China. This strategy centers on leveraging high-quality self-developed intellectual property, fostering international partnerships, and building a comprehensive gaming ecosystem that integrates esports, live streaming, and pan-entertainment content. Financial performance in early 2019 underscored the company’s stability, with total revenue reaching $2.74 billion, a 29.5% year-over-year increase. Gaming revenue accounted for $1.77 billion of this total, driven by the sustained performance of legacy titles and the success of newer mobile games. Mobile platforms remain the primary revenue driver, representing 72.1% of total gaming income. Despite a regulatory freeze on game licenses in China during 2018, NetEase maintained growth by capitalizing on its existing library and expanding its footprint in key overseas markets, particularly Japan and the United States. To sustain this momentum, the company is aggressively pursuing global expansion through simultaneous worldwide launches, porting mobile titles to PC and console, and investing over $200 million in overseas studios. Furthermore, NetEase is building a robust gaming ecosystem that encompasses developer support, social platforms like the Da Shen app, and significant investments in esports, including the NeXT tournament brand. By evolving its top-tier intellectual properties into multi-media franchises—spanning film, comics, and merchandise—and securing strategic collaborations with global brands, NetEase is positioning itself as a formidable, long-term competitor in the global interactive entertainment industry.

Cover of State of the Game Industry 2019

Game Developers Conference · 2019

State of the Game Industry 2019

The global game development landscape in 2019 reflects a period of significant structural and cultural transition. While PC remains the primary platform for development, the Nintendo Switch has emerged as a major point of interest, signaling a shift in hardware priorities. Despite these technical advancements, the industry faces persistent labor challenges, including widespread overtime and a workforce demographic that remains heavily skewed toward male professionals with less than ten years of experience. Growing support for unionization among developers highlights a collective desire to address these systemic working conditions and professional sustainability. Economic strategies are also evolving as developers move away from traditional monetization models. Interest in loot boxes and crowdfunding has cooled, with a majority of creators favoring self-funding and self-publishing. This financial independence is coupled with growing friction regarding digital storefronts, specifically the 30 percent revenue share model on Steam, which many developers now view as unjustifiable. Meanwhile, the industry remains divided on the future of immersive technology, though a notable minority anticipates that augmented reality will achieve dominance within a five-year window. Marketing and accessibility represent critical areas for improvement in the current development cycle. Developers increasingly rely on social media and word-of-mouth for game discovery, while live events are frequently cited as ineffective promotional channels. Furthermore, while the adoption of accessibility features remains low, with only about a quarter of projects incorporating such elements, there is a clear trend toward prioritizing inclusive design. Features such as customizable controls and colorblind support are becoming central to the development conversation, marking a gradual shift toward more equitable and accessible gaming experiences.

Cover of Finnish Game Industry Report 2018

Neogames Finland ry · 2019

Finnish Game Industry Report 2018

Fingersoft • Ηill Climb Racing 2 Futureplay • Battlelands Royale Next Games • Τhe Walking Dead: Our World Rovio Εntertainment • Angry Birds 2 Small Giant Games • Εmpires & Puzzles Supercell • Brawl Stars, Clash Royale, Clash of Clans and Ηay Day Remedy Εntertainment • Control Rival Games • Τhief of Τhieves: Season One Superplus Games • Ηills of Steel Nitro Games • Ηeroes of Warland Κukouri Mobile Εntertainment • Pixel Worlds Publisher Neogames Finland ry (2019) 2.

Cover of Slovak Game Industry 2019

Slovak Game Developers Association · 2019

Slovak Game Industry 2019

It’s said to be a small world, and the digital games world is smaller still. Yet nevertheless, without the right partner and guidance it’s easy to get disorientated. When we started the annual monitoring of Slovakia’s game development industry, we had a clearly defined vision and goal. And the results of the first Game Developer Census comprehensive report confirmed that we were on the right track.

Cover of Libro Blanco del Desarrollo Español de Videojuegos 2019

DEV - Desarrollo Español de Videojuegos · 2019

Libro Blanco del Desarrollo Español de Videojuegos 2019

DESARROLLO ESPAÑOL<sub>DE</sub> PROMOVIDO POR: CON EL APOYO DE: CON LA COLABORACIÓN DE: FONDO EUROPEO DE DESARROLLO REGIONAL eGoGames mCR codice software GGCoM UNA MANERA DE HACER EUROPA INTRODUCCIÓN .......................................................................................................................................

Cover of Die Wirtschaftliche Bedeutung Der Österreichischen Spieleentwicklungsbranche 2019

Wirtschaftskammer Österreich · 2019

Die Wirtschaftliche Bedeutung Der Österreichischen Spieleentwicklungsbranche 2019

Die wirtschaftliche Bedeutung der österreichischen Spieleentwicklungsbranche Unternehmensberatung Buchhaltung·IT Die wirtschaftliche Bedeutung der österreichischen Spieleentwicklungsbranche Erstellt in Kooperation mit: Gefördert von: Die wirtschaftliche Bedeutung der österreichischen Spieleentwicklungsbranche Die Studie wurde im Auftrag des Fachverbandes Unternehmensbe- ratung, Buchhaltung und Informationstechnologie (UBIT) verfasst.

Cover of Arbeiten in der Games-Branche: Kreativität trifft Technologie

game.de · 2019

Arbeiten in der Games-Branche: Kreativität trifft Technologie

14 und kreative Köpfe, 14 folgende Frage höre und lese ich immer wieder: „Wie werde ich Spiele-Entwickler/in und was muss ich dafür mitbringen?“ Das ist auf die Schnelle gar nicht so leicht zu beantworten. Das Arbeiten in der Games-Branche ist unglaublich vielfältig und genauso zahl- reich sind auch die Wege, die dahinführen.

Cover of Baromètre Annuel du Jeu Vidéo en France 2017

Syndicat National du Jeu Vidéo · 2018

Baromètre Annuel du Jeu Vidéo en France 2017

SYNDICAT NATIONAL DU JEUVIDEO DIGIWORLD X Une vidéo Pictanovo! a production, types d'aide : dedieau jeu ide paprojet, dgdi poes ades ! a egion Hauts-de 20.00€ rprojet. A4 frane lanait te f onds regional COUV Comit de lecture 16/02/18 2E DE May fone.con 1 503/18 Comnite de lecture21/09/18 B A R O M È T R E A N N U E L D U J E U V I D É O E N F R A N C E 08<sup>LE </...

Cover of Guide RGPD pour les Développeurs de Jeux Vidéo

reTeenmeepe · 2018

Guide RGPD pour les Développeurs de Jeux Vidéo

Le Règlement général pour la protection des données (RGPD) constitue le texte de référence en matière de protection des données personnelles au sein de l’Union Européenne. Les principaux objectifs du RGPD sont d'accroître à la fois la protection des personnes concernées par un traitement de leurs données à caractère personnel et la responsabilisation des acteurs de ce traitement.

Cover of The Data Behind 10 Years of Google Play (2018)

data.ai · 2018

The Data Behind 10 Years of Google Play (2018)

This analysis examines the growth and performance of the Google Play Store over a nearly seven-year period, spanning from January 2012 to August 2018. Utilizing data from the App Annie platform, the findings track the evolution of the Android ecosystem from its early stages to a mature marketplace featuring over 2.8 million available apps. During this timeframe, the platform recorded nearly 330 billion total downloads and generated over $85 billion in consumer spend, with more than 5,000 individual apps surpassing the $1 million revenue milestone. Geographic trends reveal a significant divide between volume and value. India leads the world in total downloads at 36.9 billion, followed closely by the United States and Brazil. However, Japan emerges as the most lucrative market, contributing $25.1 billion in consumer spend, significantly outpacing the United States and South Korea. The data highlights a shift in monetization strategies, particularly the 2017 transition toward in-app subscriptions. This change, supported by a reduction in Google’s transaction fees for long-term subscribers, resulted in a 55% growth in spend for non-gaming apps between 2016 and 2017. The competitive landscape is dominated by major social media and gaming entities. Facebook-owned properties occupy the top four spots for all-time downloads, while LINE and Tinder lead in non-gaming consumer spend. In the gaming sector, Subway Surfers is the most downloaded title, but GungHo Online’s Puzzle & Dragons and Mixi’s Monster Strike lead in total revenue. Looking forward, the analysis projects continued aggressive growth, estimating that annual consumer spend on Google Play will reach $42 billion by 2022, a 90% increase from 2017 levels.

Cover of State of the Polish Video Game Industry 2017

Kraków Technology Park · 2017

State of the Polish Video Game Industry 2017

This report was made possible thanks to funding provided by the Ministry of Culture and National Heritage, the Ministry of Development, Creative Europe Desk Poland and the Agency The research part of the project was coordinated by the Kraków Technology Park. The partners of the report include the Polish Games Association, Indie Games Poland Foundation, Grupa Onet S.A. and Gry-Online S.A.

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